Easily read sextet of largely cautionary SF tales in the old-fashioned manner.
Williams’ compact short stories occur in landscapes devastated by war and pollution. An exception (maybe) is the title piece, but “A Clockmaker’s Tale” too carries the author’s mixed view of technology’s consequences. In a society of flying cars and other breakthroughs, George Sebastian Phillips, an artisan, still laboriously services, maintains, and builds mechanical clocks by hand. A salesman convinces him to try the “Work Buddy,” an AI skull attachment that allows users to drowse and sleep while their bodies continue to do skilled labor. No harm in that, right? George’s efficiency improves, but, predictably, at a horrible cost. More benign are the intelligent robots in “10,000”; a pair of AIs on the moon attempt to revive the human race after a fiendish biological weapon erases humans from the Earth. A specimen pool of 10,000 cryogenically frozen human volunteers are available for the robots’ research, but failure and frustration bring grief even to the automatons. Two tales, “Post-Truth Tours” and “Law and Disorder,” may well unfold in the same bleak world, a place where stern AI judgments face anyone who defies social norms. “Waste Not,” perhaps the most thought-provoking entry, envisions a hellish, garbage-choked dystopian society and a poor family man taking a desperate chance to escape it. “Last Bus to Freedom,” the tale with the least obvious SF trappings—mainly war drones and mythical place names—is mostly action, describing a POW uprising and harrowing attempted escape through enemy lines. Like his horror-oriented compatriot Charles Birkin, Williams tells his material matter-of-factly and doesn’t shy away from pain and doom, though his attitude is not as pessimistic as Birkin’s. Genre readers may note the absence of space aliens in the assortment. Homo sapiens (and their silicon-chip cohorts) provide more than enough trouble, mayhem, and solutions-that-are-worse-than-the-problems, thank you.
Easily read sextet of largely cautionary SF tales in the old-fashioned manner. (science fiction)Pub Date: June 20, 2021
ISBN: N/A
Page Count: -
Publisher: Self
Review Posted Online: June 3, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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