A slow poke through Montana by Conrad (former editor of Horizons), a guy who likes a side dish of bile to accompany his travels. Conrad hits the road in the Big Sky State to take in the scenery and dig up a little family history. The family side of the story comes and goes—both grandfathers moved to the territory back in the late 1800s—with Conrad trying valiantly to paint them as fascinating characters. They're not, even with murder, mayhem, and adultery thrown in. Nor does Conrad succeed as an artful recorder of today's Montana. He can't help trotting out the obligatory Montaniana—barroom fisticuffs, brushes with Mr. Griz, trouty days, whiskey nights—while historical context comes in spurts from the ``Billings was named after Frederick Billings, an executive of the...'' school of background information. He mooches around with a fine disregard for the consequences, a little piece of bravery much to his credit. Most folks Conrad runs into are either forlorn, bitter, drunk, or just plain ready to brawl—bump into someone and get your lights punched out, mention the wrong name and get your lights punched out, offer an ill-timed comment and get your lights punched out. Then again, maybe he just spent too much time in bars. There is a wealth of detail in theses pages, some of it captivating, from ghoulish doings in Great Falls to the virtues of buffalo meat to tensions over wolf reintroduction to the quick portraits of the folks he crosses paths with, but little, if any, continuity. One item is cobbled to another, a pastiche from which an image of Montana never emerges. Don't expect to learn why they call this land the Last Great Place; even as a miscellany, Conrad's sidelong glimpse of Montana never conjures much excitement. (Photos, not seen)
Pub Date: Oct. 1, 1994
ISBN: 0-06-258551-7
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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