Less learned than the work of compatriot Arturo Pérez-Reverte, but more intelligent than the average beach book.
No one expects the Spanish Inquisition.
Set in 14th-century Catalonia, Barcelona attorney Falcones’s sprawling medieval family saga, a bestseller in Spain, starts with a nasty little bit of prima nocta, which, come to think of it, got another bestselling medieval epic, Braveheart, rolling. The dastardly lord Llorenc de Bellera comes calling on good Bernat Estanyol on his wedding night and declares, in lawyerly lingo, “ ‘In accordance with one of my rights as your lord, I have decided to lie with your wife on her first night of marriage.’ ” Not a friendly thing to do, as the lovely Francesca discovers, but not the last unfriendly act on Llorenc’s part, as Bernat’s sturdy son Arnau discovers. Arnau has bigger fish to fry before arranging to avenge the family honor: First he has to go fight against the assembled enemies of Catalonia, then take care of some trouble with his brother, who, the bloodlines being all confused by now, has taken to behaving like Llorenc, but this time in priestly habit. Despite his misfortunes, Bernat remains a good-natured man—he dares, for instance, to smile at a Jew. Arnau inherits the sense of equitability and fair play, though Falcones can’t help observing that Arnau’s Jewish pal has “a piercing gaze and hook nose,” certainly not the best traits in an inquisitorial age. Brother Joan, for his part, finds that there’s good work to be had in being an inquisitor, heading north to do his thing, since “most of the doctrines that the Catholic church considered heretical came through Catalonia from France.” Much snarling and mustache-twisting and muttering in Latin and sword-crossing ensues; stones are lifted, a cathedral is built, heretics are burned, all business as usual in such climes.
Less learned than the work of compatriot Arturo Pérez-Reverte, but more intelligent than the average beach book.Pub Date: April 17, 2008
ISBN: 978-0-525-95048-6
Page Count: 592
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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