A searing account of the pain and rage motherhood can sometimes produce.
A homesick New Yorker suffering from postpartum depression completely loses it in London.
We meet Gigi in the middle of the second-worst day of her life, a Wednesday in August 2016, when she walks out on her husband and two children, all three screaming and crying, and checks into the Grand Euro Star Lodge Hotel, where she will drink wine, watch her beloved Real Housewives of New Jersey, and try to shove her body into what the English call a "half bathtub." The next section of the book revisits what was surely the actual worst day of her life, Sept. 11, 2001: Her only sibling was at an interview in one of the towers. The one redeeming factor of that day was that she met Harry, a kind and elegant Brit who became her future husband, on the Staten Island Ferry. Fate keeps them apart for quite a while, and by the time they meet again, Gigi is raising a child—her dead brother's dead girlfriend's son. This time, they seal the deal, and before long Staten Island Gigi is installed in a posh house in London where she is miserable beyond belief. The older boy, Johnny, goes to a fancy private school where Gigi feels completely out of place (her class consciousness and awareness of other women's clothing, accoutrements, and bodies is acute), and her new baby, Rocky, is the product of a Caesarian birth so traumatic that she is more or less destroyed, emotionally and physically. How much can one woman take? That is the question this novel asks, furiously, impatiently, and without too many niceties of plot. The author's bio, perfectly parallel to Gigi's at least in the outlines, suggests that Bannister's impulse is autobiographical; who could or would make this up? Gigi is sharp and funny and endearing enough that you will want to stick with her through the whole nightmare, as if she needed you to hold her hand.
A searing account of the pain and rage motherhood can sometimes produce.Pub Date: March 30, 2021
ISBN: 978-0-385-54617-1
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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