What’s it like to be a trans woman? This heady novel offers one indelible perspective.
A funny, free-wheeling novel about the experiences of a trans woman and her reluctant protégé.
In Part I, readers are introduced to Maria Griffiths, a 29-year-old trans woman crisscrossing New York on her bicycle, barely holding down her job at an oppressive used bookstore, avoiding an inevitable breakup with her girlfriend, and drinking a lot while forgetting to take her estrogen shots. “This is what it’s like to be a trans woman,” observes the narrator, our witty guide to Maria’s complex psyche. “You just don’t want your hilarious, charming, complicated weirdo self to be erased by ideas people have in their heads that were made up by, like, hack TV writers, or even hackier porn writers.” In Part II, Maria has lost both the job and the girlfriend and heads west in a borrowed (OK, stolen) car. In Star City, Nevada, she strides into a Walmart and encounters salesperson James Hanson. This 20-year-old pothead routinely hotboxes his bathroom, dates a savvy feminist, and secretly, shamefully watches autogynephilic porn, getting off by imagining himself as female. Maria takes one look and declares, “that kid is trans and he doesn’t even know it yet.” Maria’s on a journey to get herself together, but she can’t resist mentoring James—whether or not he wants her guidance. This cult novel, brimming with ideas and arguments that only occasionally impede the narrative, was first published in 2013 by indie Topside Press. It’s been reissued with a new afterword by the author, who recounts its passionate reception by trans readers.
What’s it like to be a trans woman? This heady novel offers one indelible perspective.Pub Date: June 7, 2022
ISBN: 978-0-3746-0661-9
Page Count: 288
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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