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NEVADA

What’s it like to be a trans woman? This heady novel offers one indelible perspective.

A funny, free-wheeling novel about the experiences of a trans woman and her reluctant protégé.

In Part I, readers are introduced to Maria Griffiths, a 29-year-old trans woman crisscrossing New York on her bicycle, barely holding down her job at an oppressive used bookstore, avoiding an inevitable breakup with her girlfriend, and drinking a lot while forgetting to take her estrogen shots. “This is what it’s like to be a trans woman,” observes the narrator, our witty guide to Maria’s complex psyche. “You just don’t want your hilarious, charming, complicated weirdo self to be erased by ideas people have in their heads that were made up by, like, hack TV writers, or even hackier porn writers.” In Part II, Maria has lost both the job and the girlfriend and heads west in a borrowed (OK, stolen) car. In Star City, Nevada, she strides into a Walmart and encounters salesperson James Hanson. This 20-year-old pothead routinely hotboxes his bathroom, dates a savvy feminist, and secretly, shamefully watches autogynephilic porn, getting off by imagining himself as female. Maria takes one look and declares, “that kid is trans and he doesn’t even know it yet.” Maria’s on a journey to get herself together, but she can’t resist mentoring James—whether or not he wants her guidance. This cult novel, brimming with ideas and arguments that only occasionally impede the narrative, was first published in 2013 by indie Topside Press. It’s been reissued with a new afterword by the author, who recounts its passionate reception by trans readers.

What’s it like to be a trans woman? This heady novel offers one indelible perspective.

Pub Date: June 7, 2022

ISBN: 978-0-3746-0661-9

Page Count: 288

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE UNICORN HUNTERS

A clever and inspiring reimagining of a little-remembered time and place.

Medieval history and Celtic mythology merge in an enchanting tale.

Arden, best known for her Winternight Trilogy, here turns from medieval Russia to Europe during the same period. Anne of Brittany—a real person—is 19 when the novel begins in the late 15th century, a sovereign duchess whose father, the duke, has been dead since she was a child. Described as “small and glossy as a cat in a dairy,” she’s desperately trying to avoid marrying Charles VIII, the king of France, which would mean the dissolution of her country. She conceives a plan to conduct a unicorn hunt in the ancient, haunted forest of Broceliande, thinking she will be able to secretly arrange a proxy wedding to Maximilien of Austria, heir to the Holy Roman Empire. While there, she encounters not only an actual unicorn but an evil enchanter who has designs on her kingdom. With the unlikely aid of the chivalrous (and undeniably attractive) Louis of Orleans, who has been sent by Charles’ sister Marguerite to betray Anne, as well as Anne’s spunky younger sister, Isabeau; a clever peasant girl, Elesbed; and a cat named Butter, Anne works feverishly to protect her people from sinister forces both political and supernatural. Arden takes her time immersing the reader in this thoroughly and intricately imagined world, where historical figures bump up against an enigmatic korriganed queen, at least one monstrous sea-dragon, a herd of undead “anaon,” and a whole Breton city that has been trapped in time. This is an alternate history in which the admirable Anne, freed from the confines of textbooks, gets to ask the question, “Shall we not write our own story?” Here, love and duty reach an understanding, and courtly romance makes friends with a steamier variety of physical contact. Fans of jousts, spells, dark magic, and brave women will find plenty of each here.

A clever and inspiring reimagining of a little-remembered time and place.

Pub Date: June 2, 2026

ISBN: 9780593128282

Page Count: 368

Publisher: Del Rey

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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FLESH

An emotionally acute study of manliness.

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Scenes from the life of a well-off but emotionally damaged man.

Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.

An emotionally acute study of manliness.

Pub Date: April 1, 2025

ISBN: 9781982122799

Page Count: 368

Publisher: Scribner

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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