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THE CYBERGYPSIES

A TRUE TALE OF LUST, WAR, AND BETRAYAL ON THE ELECTRONIC FRONTIER

A strangely fascinating exploration of the dark side of cyberspace, where virus writers, porno peddlers, and fantasy game fanatics have created an anarchic subculture that blurs reality and imagination. Sinha, a former London advertising copywriter, became addicted to the Internet in 1984 when he was asked to create ads for a modem manufacturer. Although his online addiction nearly destroyed his life, it also brought him into a strange new world of cyber-relationships. There’s the unforgettable Jarly, who like Sinha, is obsessed with Shades, a multi-user fantasy game inhabited by evil knights and fair damsels. Jarly spends 16 hours a day playing Shades and, in one hilarious incident, even pisses his pants at the keyboard. Jarly has no job or human relationships, and every penny he can beg or steal goes toward his astronomical telephone bills. Calypso is another Shades addict. She meets men playing the game and sleeps with them so they’ll pay her bills. Geno is a virus maker who taps into government computers and wreaks digital havoc. He lands in federal prison after trying to break into the FBI’s computer system. In the book’s most comically surreal episode, a group of Shades players throw a house party where “two worlds, the one we call “real’, and the cyber-world of Shades, collided and became entangled.” Like a crack addict, Sinha is a genius at self-delusion, telling himself that his habit is under control. Meanwhile, as he spends all his free time in cyberspace, his marriage is falling apart. His narrative is nonlinear, experimental, and at times disorienting, especially when he’s trying to capture the murky “feel” of cyberspace. Like his cyber-pals, he often loses touch with reality, transcending into new realms of consciousness. Sinha brings the reader along for the often harrowing ride. Part Dante, part Bill Gates, part Jack Kerouac” however you categorize this bizarre book, it’s worthy of attention.

Pub Date: Sept. 1, 1999

ISBN: 0-670-88630-0

Page Count: 336

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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