developed by Ink Robin ‧ RELEASE DATE: Dec. 20, 2012
An enjoyable, low-stimulation interactive story that should be great for bedtime.
A week of whimsical fun with a little girl and her three entertaining friends.
As the title suggests, the protagonist in this story has an odd bunch of pals. However, the unlikely quartet is never at a loss for something fun to do. Sundays are hide-and-seek days; Mondays are musical. Tuesday is art day, while Wednesdays are reserved for make-believe—and so on. This rhyming story is in keeping with Ink Robin’s other offerings (Leonard and Piccadilly’s Circus, both 2012), which is to say that it’s well-written and engaging. There are plenty of interactive opportunities throughout the story, though they’re pretty conventional and straightforward (which isn’t necessarily a bad thing). On coloring day, swiping the screen produces little sketches and drawings; when the four play dress-up and make-believe, a flip of a switch finds the girl roaring across the screen in a monster costume. Tapping each character on music day produces makeshift instruments that can be strummed and pots that act as a drum kit. Illustrations are both cheerful and fittingly sparse, and the pleasant narration can be turned on or off. Near the end of the story, Mom reminds the foursome that playing can be messy. So they dutifully clean up their messes and take a bath, and then it’s off to bed.
An enjoyable, low-stimulation interactive story that should be great for bedtime. (requires iOS 6) (iPad storybook app. 3-6)Pub Date: Dec. 20, 2012
ISBN: N/A
Page Count: -
Publisher: Ink Robin
Review Posted Online: Feb. 5, 2013
Kirkus Reviews Issue: March 1, 2013
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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