There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
The hazy hot summer seems interminable for a young African-American boy and his pregnant mother. “Can’t cool down!” is the refrain that reverberates throughout the tale, and it’s literally true; lack of rain has put the city on a water conservation alert and the mother worries about all her flowers. Instead of despairing, mother and child surreptitiously water the plants using kitchen pots under the cloak of darkness; the theme of personal resilience and coping permeates the tale. A cooling, life-giving rain heralds the onset of the mother’s labor and the arrival of a new baby sister, Silver Rain Brown. The special bond between mother and son is readily apparent in Flavin’s full-page, full-color illustrations. As for the father, there is only one reference for readers to interpret: “Four a.m. and I can’t sleep, wishing Daddy would come back, wishing, wishing it would rain.” Helldorfer deftly captures the heavy oppressiveness of a summer heat wave, from children attempting to fry eggs on the sidewalk to short tempers and sleeping the hot days away, while Flavin’s illustrations artfully reflect the shimmering cityscapes. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-73093-7
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Gentieu creates an engaging set of photographs for very young eyes. Every spread pairs a large full-color close-up of an infant and a phrase that has clearly recognizable echoes for adults: “Where are baby’s toes?” and “How big is baby?” On the facing page, superimposed against soft pastel backgrounds, are several smaller photographs of infants engaged in a relevant activity, e.g., “Clap hands baby!” appears with babies engaged in enthusiastic attempts at patty-cake. Clad in colorful diapers, these cherubs smile, frown, laugh, and frolic through the book, candidly expressing a wide range of emotions. The direct correlation between text and photos provide children with visual clues that reinforce their comprehension of basic words and phrases. (Picture book. 1-3)
Pub Date: April 1, 1999
ISBN: 0-517-80028-4
Page Count: 24
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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