by Iris Chang ‧ RELEASE DATE: May 1, 2003
Though it lacks the gravity and grace of Lynn Pan’s Sons of the Yellow Emperor (1994), which covers much of the same ground,...
California-based historian Chang (The Rape of Nanking, 1997, etc.) searches out common themes in the Chinese immigrant experience over time.
“America is a place with gold floors, diamond windows, tall buildings, and seven-foot-tall whites with red moustaches,” recalls a Chinese immigrant who came to the US in 1979, sounding very much like his compatriots who arrived in America 13 decades before. They too undertook the dangerous business of relocating to a new land only to discover that racist policies were often the rule and neighbors tended to suspect that the newcomers’ loyalties lay elsewhere. Also unchanging over 150 years, however, were the harsh realities at home that prompted the Chinese to what they called “Gold Mountain” in the first place. The Chinese did not arrive in a single wave, writes Chang; although more than 100,000 of them flocked to work in the goldfields during the California rush of 1849, in general they have come (and gone) at a fairly constant rate throughout the last two centuries, with the occasional surge caused by events such as the Communist takeover of Hong Kong in 1997. As with most other immigrant groups, the children and grandchildren of the newcomers readily enter the cultural mainstream. Unlike many immigrant groups, however, the Chinese have long been singled out, stereotyped, and too often attacked. Drawing on interviews and a wealth of documentary material, Chang brings the immigrant experience into the present, writing effectively of the “three pressures” now facing American-born Chinese: “the pressure to excel, the pressure to become white, and the pressure to embrace their ethnic heritage,” all the while contending with a dominant society many of whose members mistrust and fear them.
Though it lacks the gravity and grace of Lynn Pan’s Sons of the Yellow Emperor (1994), which covers much of the same ground, this is a solid addition in a far-from-exhausted field.Pub Date: May 1, 2003
ISBN: 0-670-03123-2
Page Count: 448
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
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by Iris Chang
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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