Freud's mentor, Josef Breuer, attempts to cure Friedrich Nietzsche of suicidal despair in the clinics, cemeteries, and coffeehouses of 19th-century Vienna—in this first novel by the author of the bestselling Love's Executioner: an entertaining and highly original tale of an uncompromising friendship between two brilliant men. Distinguished physician, renowned scientist, beloved husband and father, Josef Breuer finds himself at 40 simultaneously at the crest of his professional life and near the bottom of a pit of incomprehensible despair. Cursed with nightmares, insomnia, and obsessive sexual fantasies of his former patient, Anna O. (whom he cured, miraculously if temporarily, through a new technique called "talk therapy"), Breuer welcomes the distraction when the imperious future psychoanalyst Lou SalomÇ demands that he use talk therapy to cure the suicidal depression of her friend, Friedrich Nietzsche. Because the poverty-ridden, unknown philosopher is too proud to accept spiritual help from anyone, Breuer must somehow cure the younger man without his knowledge—but the physician welcomes the challenge, and soon solves it by posing as the patient himself and begging Nietzsche's help in relieving his own existential pain. Unable to refuse, dour Nietzsche agrees to embark on a month of daily "talks" with the physician. The ensuing dialogue between a man of the world and an unworldly man becomes increasingly compelling as first Breuer, then Nietzsche, uncovers his forgotten past and delves deep into his own and the other's unconscious desires and fears. Throughout, Yalom's evocation of Breuer imprisoned in a classic midlife crisis, Nietzsche stymied by his own pride, loneliness, and terror, Lou Salomé cracking her feminist whip, and young Sigmund Freud eagerly following each conversation's twists and turns make for a stimulating dip into the pools of 19th-century philosophy, psychology, and culture. A delectable fantasy—in which the sole disappointment is that it didn't actually occur.
Pub Date: Aug. 3, 1992
ISBN: 0062009303
Page Count: 336
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1992
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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