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ROBOTS

WHERE THE MACHINE ENDS AND LIFE BEGINS

This volume is a departure from the customary Asimov approach to explaining-it-all—perhaps the doing of co-author Frenkel. First, the book is heavily focused on the business/economics of industrial robots (IRs). Then, it deals extensively with personalities, especially Joseph F. Engelberger, "Father of Industrial Robots" and founder of Unimation: a plain-speaking pioneer whose earthy remarks punctuate many chapters. On the other hand, there is less than usual how-it-works explanation; and since what's here is below par, that's just as well. (The reader risks becoming benumbed by, for example, a lengthy take-out on ways to operate a mechanical arm in three dimensions.) The Asimov touch is evident however, in the etymologies—Karel Capek's coining of the Czech word robota in his play R.U.R., the roots of words like automation—and the historical background: the literary and social history of robots from Hero of Alexandria to Frankenstein, from clockwork to feedback mechanisms to the present. There is a good discussion of persistent problems in developing sensors (visual, tactile); a smattering of theory on artificial intelligence; and a serious discussion of the impact of robotics on labor and society—flavored by Asimov's well-known Laws of Robotics (i.e., robots must obey human orders). The authors argue that the IR changes will be evolutionary, and should not cause massive layoffs of either blue or white collar workers. As state-of-the-art reportage on the current use of robots in materials handling, assembly, etc., the book provides a useful global picture, along with thoughtful analysis. For an array of robot topics, erratically handled, see Minsky, below.

Pub Date: June 6, 1985

ISBN: 9999861903

Page Count: -

Publisher: Harmony/Crown

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: May 15, 1985

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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