Unique and emotionally deep.
An archivist who happens to be a vampire receives a collection belonging to the late creator of a cult TV show, triggering a series of dramatic life shifts.
Even before he became a vampire—spurred by a freak case of tetanus, after which his body must be sustained by blood transfusions and religiously shielded from the sun—Sol Katz had always lived somewhat apart from others. A trans man who, for years pre-transition, inhabited a body he “[couldn’t] bear to have touched,” Sol has always worked “best with imaginary or fictitious people,” first as a fan fiction writer and then a steadfastly patient archivist at the Historical Society of Northern California. Sol’s reclusive life, though, is disrupted when the magnetic Elsie brings in a collection belonging to Tracy Britton, her dead wife, the creator of the science-fiction TV show Feet of Clay. Coincidentally, this is the fandom in which Sol used to write. Almost instantly, Sol’s world is shaken as he forms an intimate bond with Elsie, who is stubbornly vulnerable and unequivocally herself; and as he goes through Tracy’s papers, he relives the journey he’s taken to understand his own gender identity. As he and Elsie grow closer, he must contend with the nearly frightening experience of desire for the first time in years and the risks inherent in a sexual relationship with a human—to whom vampire bites can be dangerous. As Sol’s life threatens to disintegrate around him—Tracy’s collection inexplicably decays before his eyes; he experiences near brushes with the sunlight after sleeping over at Elsie’s—he's led to reevaluate his life and weighs the benefits of safely tucking himself away in the archives against inhabiting the flesh-and-blood human world. Author Fellman has sensitively constructed the complex internal landscape of a multilayered protagonist whose self-consciousness, quirks, and anxieties are palpable; vampire or not, Sol is a uniquely relatable character whose inner life jumps off the page. Though Sol and Elsie’s relationship sometimes veers into the saccharine, their shared vulnerability as each grapples with their sexual and gender identities is genuinely moving. Most of all, the book’s musings about bodies—their trials, tribulations, and pleasures; the ways they sometimes serve and sometimes oppose their owners—provides a deep, rich undercurrent.
Unique and emotionally deep.Pub Date: Feb. 22, 2022
ISBN: 978-0-14-313691-0
Page Count: 256
Publisher: Penguin
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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