A slog even Allende fans may have trouble getting through.
In a rueful account written for her grandson, a 100-year-old South American woman recalls her tumultuous life.
Born during the Spanish flu pandemic, Violeta Del Valle spends her early years quarantined with her well-off family in the capital of an unnamed country (one that resembles Allende's native Chile). With her mother ill, she is largely raised by her warm-spirited, independent-minded Irish governess. The family fortunes gutted by the Great Depression, her father kills himself (Violeta discovers his body). While living in relative isolation in the country, she meets and marries a German veterinarian whose life is mostly about finding a way to preserve the semen of pure-bred bulls. Tired of playing the submissive wife, Violeta, in a heated scene that could be a parody of romance novels, is swept off her feet by a dashing but soon abusive Royal Air Force ace of Latin American origins who runs guns for the Mafia and performs missions for the CIA. "Held together by a perpetual cycle of hate and lust," even when he takes up with another woman, the couple—though Violeta remains legally married to the vet throughout—has a son whose sensitive nature doesn't sit well with his macho father and a daughter who will become a drug addict. While there's no lack of incidence in this chronological epic, which is punctuated by glancing references to historical events including the rise of military takeovers, Allende's reductive style deprives the book of narrative power. For all she goes through, Violeta is thinly drawn—her great business success as a home builder seems tossed in like an afterthought. And the "floods, drought, poverty, and eternal discontent" she refers to are kept offstage.
A slog even Allende fans may have trouble getting through.Pub Date: Jan. 25, 2022
ISBN: 978-0-593-49620-6
Page Count: 336
Publisher: Ballantine
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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