A slog even Allende fans may have trouble getting through.
In a rueful account written for her grandson, a 100-year-old South American woman recalls her tumultuous life.
Born during the Spanish flu pandemic, Violeta Del Valle spends her early years quarantined with her well-off family in the capital of an unnamed country (one that resembles Allende's native Chile). With her mother ill, she is largely raised by her warm-spirited, independent-minded Irish governess. The family fortunes gutted by the Great Depression, her father kills himself (Violeta discovers his body). While living in relative isolation in the country, she meets and marries a German veterinarian whose life is mostly about finding a way to preserve the semen of pure-bred bulls. Tired of playing the submissive wife, Violeta, in a heated scene that could be a parody of romance novels, is swept off her feet by a dashing but soon abusive Royal Air Force ace of Latin American origins who runs guns for the Mafia and performs missions for the CIA. "Held together by a perpetual cycle of hate and lust," even when he takes up with another woman, the couple—though Violeta remains legally married to the vet throughout—has a son whose sensitive nature doesn't sit well with his macho father and a daughter who will become a drug addict. While there's no lack of incidence in this chronological epic, which is punctuated by glancing references to historical events including the rise of military takeovers, Allende's reductive style deprives the book of narrative power. For all she goes through, Violeta is thinly drawn—her great business success as a home builder seems tossed in like an afterthought. And the "floods, drought, poverty, and eternal discontent" she refers to are kept offstage.
A slog even Allende fans may have trouble getting through.Pub Date: Jan. 25, 2022
ISBN: 978-0-593-49620-6
Page Count: 336
Publisher: Ballantine
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Imperfect, yes, but intense, original, and smart.
A philosophical discourse inside an addiction narrative, all wrapped up in a quest novel.
Poet Akbar's debut in fiction features Cyrus Shams, a child of the Midwest and of the Middle East. When Cyrus was an infant, his mother, Roya, a passenger on a domestic flight in Iran, was killed by a mistakenly fired U.S. missile. His father, Ali, who after Roya died moved with Cyrus to small-town Indiana and worked at a poultry factory farm, has also died. Cyrus disappeared for a time into alcoholism and drugs. Now on the cusp of 30, newly sober but still feeling stuck in his college town, Cyrus becomes obsessed with making his life matter, and he conceives of a grand poetic project, The Book of Martyrs (at the completion of which, it seems, he may commit suicide). By chance, he discovers online a terminally ill Iranian American artist, Orkideh, who has decided to live out her final days in the Brooklyn Museum, having candid tête-à-têtes with the visitors who line up to see her, and Cyrus—accompanied by Zee, his friend and lover, who's understandably a bit alarmed by all this—embarks on a quest to visit and consult with and learn from her. The novel is talky, ambitious, allusive, deeply meditative, and especially good in its exploration of Cyrus as not being between ethnic or national identities but inescapably, radically both Persian and American. It succeeds so well on its own terms that the novel's occasional flaws—big coincidences, forays into other narrators that sometimes fall flat, dream-narratives, occasional small grandiosities—don't mar the experience in any significant way.
Imperfect, yes, but intense, original, and smart.Pub Date: Jan. 23, 2024
ISBN: 9780593537619
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 1, 2023
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
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