A horrifying crime, cat-and-mouse detection, aha moments, and extended suspense, more or less in that order.
Nina Guerrera, the Warrior Girl of the FBI, is packed off with the rest of her unit to Phoenix to pursue a serial killer who evidently strikes once every four years.
Orthopedic surgeon Tom Doyle and his wife, ophthalmologist Meaghan Doyle, have been brutally murdered along with their infant daughter. What could the motive possibly be for a crime that’s clearly been planned down to the last detail? The Llorona case, which takes its name from the Latino tale of La Llorona, the weeping woman who seeks revenge on her unfaithful husband by killing their children and herself, swiftly balloons into something even more sinister when Nina’s team connects the crime to a remarkably similar series of triple fatalities—father, mother, baby daughter—that began 28 years ago in Phoenix before crisscrossing the country, every single one of them committed on Feb. 29. A data-driven search for clues identifies an obvious candidate for the role of the Leap Day killer, but when the team arrives to take him into custody, he’s been murdered too, apparently by someone whose slow-moving calendar has suddenly lurched into overdrive. As if these complications weren’t confounding enough, Nina, whose troubled early years already provided a pregnant backstory for her debut in The Cipher (2020), realizes that she has a much more personal connection to the Leap Day killer than she ever could have imagined.
A horrifying crime, cat-and-mouse detection, aha moments, and extended suspense, more or less in that order.Pub Date: Aug. 10, 2021
ISBN: 978-1-5420-2278-1
Page Count: 363
Publisher: Thomas & Mercer
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Sorry, Sherlock. Detective work has nothing on the perils of costume design.
Murder and a host of lesser but more time-consuming complications dog the production of costumer Joey Jessop’s latest film project.
An unknown woman running from a restaurant is struck and killed by a silver Lexus SUV. It’s a painful moment for everyone involved, but especially for Joey, who’d seen the woman dragged and chased out of the restaurant kitchen minutes earlier by a cook and another menacing man and hadn’t said anything about it. Tyrone Thomas, the head of the studio producing The Golden Age, which is filming nearby, is less interested in encouraging his crew to cooperate with the police than in making sure no whiff of bad publicity touches his stars. And so much intrigue swirls around leading lady Gillian Best—from her quarrel with personal assistant Rita Ranucci to her hush-hush exchange with personal manager Dan Lomax to her unpublicized relationship with personal videographer Armand Dubois—that keeping it all under wraps is likely to be a full-time job. But not for Joey, whose full-time job, once costume designer Gregory Bentham is called back to England by his husband’s illness and the production’s deal with boutique Italian costume manufacturer Bergati falls through, is arranging for the last-minute design and construction of hundreds of World War I–era costumes for a movie whose story McCown, intent on the worm’s-eye view, never bothers to share. Another violent death will provide a sop to genre fans, but this is really a relentlessly detailed account of the thousands of obstacles to producing a movie.
Sorry, Sherlock. Detective work has nothing on the perils of costume design.Pub Date: May 7, 2024
ISBN: 9781639106646
Page Count: 368
Publisher: Crooked Lane
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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