Trenchant observations on the enduring Cuban mystique.
A Cuban essayist, critic, and art curator reflects on various aspects of the Cuban socialist revolution, subsequent capitalist experiments, and ongoing tensions with the U.S.
In these brief, pointed essays published in Spanish-language periodicals since the 1990s, de la Nuez, who left Cuba in 1991 and lives in Barcelona, shows how Cuba managed to weather its socialist revolution, despite the fall of the Soviet Union, and has not embraced democracy since the death of its seminal founder, Fidel Castro, and retirement of his brother, Raul, in 2021. Instead, the author argues that Cuba has embraced “an ecstasy of exceptionality” and has chosen “to go it alone.” He looks at some of the aspects of this exceptionalism through the last three decades, mostly in the world of arts and culture. These include the parade of intellectuals through Cuba since the 1960s, “ever ready to give theoretical support to the so-called Cuban way”; the cunning “iconocracy” employed by Fidel in pictures and movies to spread the Cuban mystique (“Castro never needed a spin doctor”); and a “post-communist” New Left that has forgotten the countless problems under the previous dictator, Fulgencio Batista, accepted the ideology of the free market, and “found refuge in less rugged landscapes.” Indeed, notes de la Nuez, Batista “has made a comeback as the great Cuban hashtag.” The author also discusses the Cuban “rhapsody” portrayed in works by Che Guevara, Wim Wenders, Steven Spielberg, and Oliver Stone, among others, and the nostalgia regarding music and cars. He writes movingly of the Cuban diaspora, of which he is a part, and he introduces us to elements of the new Cuban economy, which he calls the “catharsis of controlled hedonism.” When a Cuban press finally published Nineteen Eighty-Four, in January 2016, “there was no shortage of people pointing out how belated the publication of this masterpiece was.”
Trenchant observations on the enduring Cuban mystique.Pub Date: Oct. 3, 2023
ISBN: 9781644213247
Page Count: 224
Publisher: Seven Stories
Review Posted Online: July 11, 2023
Kirkus Reviews Issue: Aug. 1, 2023
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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