A devastating book, humane, original, and deeply relevant.
In this short novel by award-winning Croatian writer and theater director Sajko, a young couple struggles with parenthood, unemployment, and the anxieties of the historical moment.
In an urban apartment complex, a husband and wife are fighting again. He’s an unemployed writer and Dante fan, trying to protest government corruption. She’s an actress, now home with the baby. “Words, words, words,” he screams. She slams a door, waking the child. “There was no one to turn to for help, for support, for some understanding or a grain of optimism, because like they said on the news, and like he always claimed too, it will only get worse…” She’s right. Things do get worse. Yet out of this unlikely material, Sajko conjures a brutally honest, richly layered story about the fate of those caught in the inequalities of late capitalism and the inertia of governments. We see the actress “on the verge of a nervous breakdown while she was scraping burnt milk off the bottom of a pot, with the pee-soaked child trying to climb her leg, while she was begging the baby to wait, to wait for just one second, all the while trying with enormous difficulty to refrain from screaming or breaking something, because the child was bawling angrily and slapping at her thigh with tiny hands, demanding the right that every child should be able to claim, not to have to wait, just as he demanded the right that every man should be able to claim to pursue goals more noble than washing the dishes and wiping up urine.” Moving deftly between past and present, with evocative sentences that unspool propulsively, Sajko delves into her characters’ souls, and the title that seemed initially facetious becomes increasingly apt. Her compassionate attention extends beyond the unhappy couple to a neighbor attempting to grow flowers, a security guard, protestors at a political rally. And the child, absorbing this miasma of vituperation and crushed hopes.
A devastating book, humane, original, and deeply relevant.Pub Date: Feb. 6, 2024
ISBN: 9781771965989
Page Count: 112
Publisher: Biblioasis
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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