A wry and memorable collection of sleek fables.
Grimes riffs on the magic of glass objects in this debut fiction collection.
Glass can represent many things: clarity, fragility, artificiality, illusion. In these 17 tales, the author forms glass into all manner of ideas to beguile her characters and reflect—darkly—aspects of their off-kilter lives. A woman who lives in a glass tower welcomes in a wandering girl with a penchant for fibbing: She may or may not have eaten her own mother. A bookstore employee meets a customer who pays for things with apples and gives her a strange book made entirely of glass. A pair of brothers, both veterans, visit a museum of glass art, only to have the pieces draw out the long-simmering tensions between them. A woman treats an ailing wolf with glass pills that are meant to purify one’s insides. A girl is forced to care for her grandmother’s glass dog, who eats light instead of food: “There weren’t many lights in grandmother’s house (she said they gave her a headache), but the dog had a special lamp, a very bright one. You knew he was eating if he got hot to the touch and glowed a little.” In these pages, readers will also encounter glass turtles, glass coffins, glass pianos, and even a glass cabbage. In addition to all the glassy imagery, the stories are united by Grimes’ comic strangeness—the premises are always slightly dreamlike, and the dialogue is oblique, with inevitable intrusions of the humorous and the surreal. In “Glass Cabbage,” the eponymous crystalline vegetable found by a hungry woman in the woods is weird enough before it is revealed to contain a severed human toe: “When she turned the glass cabbage, rolling it around to see the toe from different angles, the toe moved, too. It bumped against the glass edges in a way that looked painful. But there was no one to feel any pain from it, was there?” Fans of Kelly Link and Aimee Bender will enjoy these original, abstruse folktales and the elusive magic that animates them.
A wry and memorable collection of sleek fables.Pub Date: Aug. 21, 2024
ISBN: 9798218442453
Page Count: 142
Publisher: Grimscribe Press
Review Posted Online: Oct. 28, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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