An engaging overview of a classic New England town and its historic theater.
A history of the iconic Music Hall in Portsmouth, New Hampshire, which is one of New England’s oldest theatrical venues.
Portsmouth-based historian Robinson (Mystery on the Isles of Shoals, 2019, etc.) captures the history of New Hampshire’s only port city by telling the story of its landmark theater, built in 1878. This sumptuously illustrated coffee-table volume also presents an often compelling history of early American entertainment in general, starting in 1630, when Portsmouth was called Strawbery Banke. The book continues through the Civil War era, detailing the entertainers, jugglers, and local notables who played prominent roles in the evolution of the historical Portsmouth theater scene. The book effectively uses a discussion of the first Music Hall show in January 1878 as a springboard to discuss the history of theater entertainment in the town and region and, by extension, in the United States as a whole. “Buffalo Bill” Cody, Gen. Tom Thumb, John Philip Sousa, Mark Twain, and many other major entertainment figures of the late 19th century make appearances in Robinson’s narrative. Later, “After four decades as a declining old movie house,” the author writes, “the Music Hall stage exploded with live action once more.” By the late 1980s, the hall began to feature popular musical entertainers, such as Dizzy Gillespie, the Persuasions, and Steppenwolf. The book’s focus eventually narrows to discuss the now-nonprofit Music Hall, which may be of primary interest to Portsmouth locals. The book is replete with color photographs and period illustrations; at one point, however, it confusingly presents a montage of photos of modern performers in the middle of a section on the late 19th century. Despite this anomaly, this book provides lots of intriguing material that will appeal to aficionados of American live entertainment.
An engaging overview of a classic New England town and its historic theater.Pub Date: Nov. 15, 2019
ISBN: 978-1-938394-34-8
Page Count: 256
Publisher: Great Life Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 15, 2020
Review Program: Kirkus Indie
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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