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THE USE OF POWER

This superhero is a bit too super.

Aliens select a man of decency and courage to receive a magical suit in order to combat the murderous mayhem afflicting our world.

Sumner’s fantasy opens to a familiar scenario–the United States is at war in Iraq and Afghanistan; the president has been seated with the help of the Supreme Court; the vice president and cabinet are forces of darkness; and the supreme commander is itching to bomb Iran back to its prenuclear condition. Our hero is Damon Hawker, who has a choirboy clarity about right and wrong, a rather alarming disregard for personal safety, a low batting average when it comes to the opposite sex and no truck for the abuse of power and authority. Sumner slowly but surely drapes a mantle of nobility upon Damon’s shoulders and just as surely terminates his chaste, fleeting relations with women, where his humility truly becomes a fault. In an abrupt turn of events, Damon is contacted by intergalactic aliens who give him a special suit–bulletproof, cloaked with invisibility, sensory-enhancing, high-speed and anti-gravitational–and ask that he use it to bring peace to the planet. That he does, thwarting terrorists here and kidnappers there, in Africa and the Middle East, coming to the aid of disaster victims and ensuring that the United States starts to embrace the principles of its Constitution. Elements of this story are fun to the point of being camp–Damon lecturing a suicide bomber on the finer points of the Koran, for example–and he is a likable, minorly flawed character. But the tale lacks dramatic propulsion. There is little suspense since Damon’s suit allows him to do anything he chooses, without an Achilles’ heel to introduce vulnerability and doubt. And although the twist regarding the First Lady’s provides some nice irony near the conclusion, it comes out of nowhere to tidy things up and prevents Damon from having to make a compelling decision.

This superhero is a bit too super.

Pub Date: April 17, 2007

ISBN: 978-1-4251-1730-6

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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