A fizzy and fast-paced conclusion to a complicated family saga.
Gibbens concludes her multigenerational family drama series with this eventful thriller.
As this concluding volume in the author’s Awen Chronicles series opens, Nathan Bellamy, the art thief who served as the villain in the previous installment (Cow on Ice, 2022), sits in prison brooding over his revenge. Providentially, it seems to come in the form of his cellmate, a low-level crime syndicate enforcer named Tommaso, who agrees to use his contacts on the outside to effect the murders of the five people who brought Bellamy to justice, including Toronto architect Kent Gillespie; Bellamy’s former partner, Chloé Corbin; and Bellamy’s erstwhile girlfriend, art gallery owner Yoichi Song (“I’m tougher than I look,” Yoichi assures a friend. “Don’t let the manicures, facials, and wardrobe mislead you”). The text catches series readers up on all the jet setting and romantic goings-on of Gibbens’ large cast of characters, ranging from Bellamy’s list of murder targets to their current and former paramours, children, co-workers, and friends. The tangles of the plot involving powerful, plotting lawyer Langston Garner and surprisingly adventurous architect Kent Gillespie branch elegantly throughout the narrative. The author throws herself into narrating this sprawling, complicated story with tremendous gusto and a sharp skill at drawing characters: “Spencer liked desperation,” readers learn of Garner’s private investigator; “it fed his business enterprise. His clients were pushed beyond their limits by situations that had suddenly gotten out of hand—leading to desperation for them and opportunity for him.” This kind of quippy phrasing runs throughout the novel, although neither this nor the fleet pacing can save the proceedings from third-book syndrome: Too much of the plot will be all but incomprehensible to readers who aren’t familiar with at least the previous volume in the series. Newcomers shouldn’t start here.
A fizzy and fast-paced conclusion to a complicated family saga.Pub Date: Aug. 4, 2023
ISBN: 9781039172432
Page Count: 366
Publisher: N/A
Review Posted Online: May 11, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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