A brilliant starting point for truly understanding the Civil War. As the authors point out, there is still much to explore.
A pictorial guide to the changes in our historical views of the Civil War, curated by Gallman (History/Univ. of Florida; Northerners at War, 2010, etc.) and Gallagher (History/Univ. of Virginia; The Union War, 2012, etc.).
Though these iconic photographs of the war were often included in scholarly works, the authors realized that few actually took the time to analyze the pictures themselves. This book opens a new page of considerations of the people, victims and ruins; the home front, slaves, women, guerrillas and “the Destructive War.” Gallman and Gallagher asked a wide network of professors, authors and independent researchers to choose their favorite photo from the Civil War and write an essay about it. The result will awaken new awareness, but the rawness of the war may upset some readers. One author kindly warns animal lovers that his essay about a picture of a dead horse may be tough going. This isn’t just a coffee-table book to pick up randomly, as the authors suggest; it can be read in a few hours, and each essay naturally moves readers on to the next. Though many of these photos have been “staged,” in that bodies were moved or guns and survivors placed to improve composition, that doesn’t reduce their power. These Civil War writers, experts and teachers each explain their reasons for choosing a photo; often, it harkens back to seeing it as a child and using that experience as a launching point for a career. The essays freely challenge the ethics of war photography; one asks, “When is it not all right to take an image of something?” When must we leave death alone? Pictures are natural entrees into imagination, but we must understand the difference between history and memory. Particularly noteworthy contributors include Harold Holzer, Joseph T. Glatthaar and Elizabeth R. Varon.
A brilliant starting point for truly understanding the Civil War. As the authors point out, there is still much to explore.Pub Date: April 15, 2015
ISBN: 978-0-8203-4810-0
Page Count: 256
Publisher: Univ. of Georgia
Review Posted Online: Jan. 3, 2015
Kirkus Reviews Issue: Jan. 15, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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