A salute to the spirit of invention that reads more like a first draft than a finished product.
A young Renaissance penguin triumphs after much trial and considerable error.
Rutland crafts an incoherent tale featuring a beaked inventor who puts part of his flock in peril with one experimental device, then gets them out of it with another. Trapped on a small iceberg that’s been split from the home glacier in some unclear way by his new flying machine and is rapidly shrinking as ice chunks are bitten off by a menacing orca, Chilly hastens to construct from apparently limitless quantities of iron “sea junk” a series of baroque escape vehicles. After his riveted “Polar Roller” sinks like a stone and a side-wheeled submarine likewise fails (“My pulleys didn’t pulley. My engine didn’t engine,” he comments opaquely), he pauses for some kelp casserole made by the “ladies who chick-sit me” before ultimately (after many pages) succeeding. The splashy watercolor-style illustrations alternate between jumbled brown leaves of rough diagrams and Antarctic scenes of the bespectacled Chilly, ruminating over each reversal and ignoring the sallies of nemesis Vinnie (“Hey, pull my flipper”) in the background. The tale’s non sequiturs and coy sight gags and references will likely play better with readers than its supposed theme—which, according to the author’s awkwardly phrased afterword, reflects the life of the historical Leonardo in focusing more on process than rewards and in thinking outside the box.
A salute to the spirit of invention that reads more like a first draft than a finished product. (Picture book. 6-8)Pub Date: Dec. 4, 2018
ISBN: 978-0-7358-4283-0
Page Count: 48
Publisher: NorthSouth
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
Music takes center stage and bullies get properly pun-ished in this hearty and wholesome howl.
In this picture book from singer Parton and co-author Perl, a small French bulldog goes to Nashville, joins a band, fends off bullies, and meets one of the queens of country music.
Promising at the outset that this is just the first of a series of adventures starring her beloved “god-dog,” Parton goes on to hit all the conventional thematic notes. Inspired by musical dreams, Billy heads for Nashville. After a “ruff day” in which being scorned by big dogs for not being a “true muttropolitan” leaves him feeling “lower than a stick on the ground,” he eats some flowers, strums some tunes, forms a band with a trio of little dogs, and, after sending the big pooches packing, trots out a “pawsome” performance at the “Battle of the Bow-Wows.” And from there it’s on to the Grand Ole Opry to hear his big-haired favorite singer warble out lines from her song “Makin’ Fun Ain’t Funny,” about celebrating differences rather than mocking them. Haley slips those lines, along with references to “Jowlene” and “I will pawlways love you,” into painted scenes of an all-dog-or-Dolly cast set against swirls of music and simply drawn backdrops. (This book was reviewed digitally.)
Music takes center stage and bullies get properly pun-ished in this hearty and wholesome howl. (Picture book. 6-8)Pub Date: April 25, 2023
ISBN: 9780593661574
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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