This slight, rhyming ode—from one mate to another—employs food pairings as metaphors for the couple’s synchronous relationship, an odd subject for a children’s book.
“You are the pea, / And I am the carrot. // I am the butter, and you are the bread. / Warm fried chicken served with mashed potatoes, // Zesty dressing on a cold lettuce bed.” Four additional quatrains sling similar imagery, sandwiched between four-line choruses like “We belong together. / We’re such a tasty sweet. / We’re yummy, scrumptious morsels. / We’re the perfect little treat.” Awkward elision is sometimes deployed for the sake of scansion: “ ’mallows” and “ ’jacks” are a bit bewildering without their respective “marsh” and “flap.” Lemaitre’s pale, digitally colored drawings stage the personified food duos in whimsical, cartoonish settings: Blueberries dive into a cup of yogurt under a circus tent; a funnel cake skis down a hill of powdered sugar. The girl and boy (both Caucasian) are depicted with enough ambiguity that readers can, by preference, interpret them as adults, teens or kids. While some pictorial details amuse, the green tint of “a glass of sweet tea” strikes a slightly discordant note. The verse verges on doggerel. The text’s springboard is a cherished, symbiotic adult relationship (as Elkins’ dedication attests), which is lovely—but this sugarcoated attempt to render it palatable to children falls as flat as a ’jack. A few funny visuals fail to redeem a saccharine premise. (Picture book. 3-7)
Pub Date: Nov. 5, 2013
ISBN: 978-1-4197-0850-3
Page Count: 32
Publisher: Abrams
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
A tasty holiday confection.
Actor Witherspoon’s latest sees her exuberant young hero returning to celebrate the holidays.
Realizing that it’s nearly Christmas, Busy Betty launches into a brainstorming whirlwind; Betty wants to buy the perfect gifts but lacks the necessary funds. Last summer, Betty and best friend Mae had good luck running a lemonade stand, so the kids start a Christmas cookie stand. But chilly temperatures keep prospective customers away even after Betty and Mae sing loud, creative Christmas carols to get people’s attention and build snowpeople to create the illusion of customers. When Betty’s dog, Frank, accidentally crashes the stand and ruins the beautiful treats, a distraught Betty is sure that “Christmas is ruined!” But upon discovering one intact cookie, Betty has a great idea and dashes to the kitchen to whip up some perfect presents. On Christmas morning, Betty’s homemade gifts are scrumptious and tailor-made for their recipients—a holiday success! Though the story is slightly predictable, Betty’s inimitable voice (“Sweet cinnamon biscuits, it’s Christmas!”) sets it apart; Witherspoon ably captures the emotional extremes that young children often grapple with. Yan’s illustrations effectively portray the steps of Betty’s journey, using a vivid palette of greens and pinks and a dynamic use of perspective to keep wiggly young readers entranced. An appended recipe for cookie bars encourages readers to follow Betty’s worthy example. Busy Betty presents white; Mae is tan-skinned with dark hair.
A tasty holiday confection. (Picture book. 4-7)Pub Date: Oct. 15, 2024
ISBN: 9780593525159
Page Count: 40
Publisher: Flamingo Books
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
BOOK REVIEW
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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