by Jack Parlett ‧ RELEASE DATE: June 14, 2022
An illuminating, well-written history of a unique place.
A vibrant social history of the iconic bastion of queer culture and leisure.
Inspired by the work of poet Frank O’Hara, a frequent visitor to Fire Island who was tragically killed in a freakish accident there in 1966, Parlett first ventured to the island in 2017 while furthering his doctoral research on American poetry and cruising. His experiences during this visit, as a curious researcher who was also actively engaged in the gay party scene, serve as the launching point for this uniquely insightful and colorful cultural history. Parlett traces the extraordinary literary heritage of the island, including its earliest foundation, laid by Walt Whitman and Oscar Wilde; midcentury luminaries (W.H. Auden, Tennessee Williams, Carson McCullers, Patricia Highsmith) and their booze-fueled escapades; and later, the more serious, politically charged influence of James Baldwin, who drew much-needed attention to the narrow Whiteness of the community. The hedonistic, sex-and-drug–laden tenor of the 1970s and ’80s, portrayed in novels by Edmund White, Andrew Holleran, and others, was ravaged by the onslaught of the AIDS epidemic, which had an indelible, long-lasting impact on the island’s literary and artistic culture. “Along with the many artists and writers lost to AIDS,” writes Parlett, “came the loss of an engaged and informed audience; the readership that kept gay publishing afloat, and the wider sense of a community consuming and critiquing the work of its own luminaries and emerging voices.” Throughout the book, the author smoothly interweaves an enlightened perspective of the island’s influence and importance with candid appraisals of its shortcomings, especially related to cultural homogenization and the overwhelming Whiteness that has continued into the 21st century. “Fire Island feels like a case study of utopian imperfections,” writes Parlett, “of the way norms become entrenched and inequalities perpetuated in a place defined by the fact that it is not, simply, for everyone.”
An illuminating, well-written history of a unique place.Pub Date: June 14, 2022
ISBN: 978-1-335-47518-3
Page Count: 306
Publisher: Hanover Square Press
Review Posted Online: Feb. 24, 2022
Kirkus Reviews Issue: March 15, 2022
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PERSPECTIVES
by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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