Anything but subtle.
With an impressive roster of strippers, swingers, porn stars and prostitutes, Sheehan explores the very adult side of Vegas entertainment.
Journalist Sheehan, who moved to Vegas when he was in his early 20s, is as close to a local as one can get in a town of transplants. As such, he knew where to look when it was time to expose the city's seamier side—although the various activities he discusses are so widely accepted in Las Vegas and, indeed, crucial to the city's municipal coffers, that they hardly qualify as illicit. In general, the author presents a decidedly sunny portrait of the sex industry. The strippers that Sheehan interviews find that they've never felt so strong and liberated as when they're onstage with their clothes off, and his porn-star sources love sex and are pleased to be getting paid to engage in it onscreen (sex is “the funnest thing there is to do,” one explains). Prostitutes are delighted by how much they can rake in from just a few hours of work, and swingers are amazed by their ability to find nightly parties where they can be as randy as they please. Yes, Sheehan elaborates on prejudices within the culture: Strippers would never get in bed with a man for money, while some prostitutes find it demeaning to dance in front of a room full of strangers. He gives a nod to pimps who exploit hookers, to deadbeat boyfriends who sponge off stripper girlfriends, and he points out that every once in a while, a working girl will be a bit introspective or depressed. But for the most part, this is a valentine to the industry. Bonus for those with plans to visit: Sheehan provides a number of sidebars with explicit instructions on how to behave in the underworld. If you’d like to know more about massage parlors and gentlemen's clubs, or learn the “etiquette of mate swapping,” here’s one for you.
Anything but subtle.Pub Date: Jan. 3, 2006
ISBN: 0-06-083879-5
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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