Languorous, occasionally repetitive—but this is quintessential Vance: rich, eccentric, nourished from roots deep in the...
Belated sequel or, better, the missing last section of Ports of Call (1998), a picaresque travel-adventure from the master storyteller and stylist.
We rejoin the battered old tramp cargo ship Glicca and its colorful crew: ex-policeman Captain Maloof, Chief Engineer Schwatzendale, Chief Steward Wingo, and supercargo Myron Tany, as they continue their erratic course from planet to planet, acquiring and discharging peculiar cargoes, dealing with the equally bizarre inhabitants. Each of the four pursues an individual quest, philosophically and without great urgency. On a planet of spectacular natural beauty and prudish social climate, Maloof searches for his mother, who’s beguiled by an infernally handsome rogue who merely wants the old woman's money. Wingo ponders joining a band of pilgrims as they face appalling hardships while seeking enlightenment. Gambler Schwatzendale sets about relieving the passengers of their valuables, while Myron hopes for news of his great-aunt Hester (and her marvelous space-yacht), who has gone to look for the fountain of youth—again accompanied by a despicable rogue. On some worlds the four friends merely require a glass of good beer, being sometimes gratified, sometimes frustrated.
Languorous, occasionally repetitive—but this is quintessential Vance: rich, eccentric, nourished from roots deep in the human psyche.Pub Date: Dec. 1, 2004
ISBN: 0-312-86727-1
Page Count: 208
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
Well written, but does not really rise much above the rest of the teeming post-apocalyptic pack.
The first in a post-pandemic trilogy.
The midwife of the title is an obstetric nurse in San Francisco when an unknown disease strikes; it kills men but is more devastating to women. For women giving birth, it is a virtual death sentence for both mother and child. The nurse falls ill herself but ultimately wakes alone in a hospital bed, surrounded by bodies and her doctor boyfriend either dead himself or long gone. After an unpleasant year spent in a sparsely populated city sprinkled with male predators, she decides to move on in search of something better. Disguising herself as a man and taking many names to protect herself both physically and emotionally from anyone getting too close, she travels across the country, quietly offering birth control to the enslaved women she encounters and defending herself from scavengers and potential rapists. After a troubled interlude with a young Mormon couple fleeing their increasingly unstable community, she eventually finds her way to a small settlement on what remains of a military base, where she devotes herself to passing on her skills and attempting to deliver a surviving baby. Similarly to The Handmaid’s Tale and The Power, the book has a framing device set generations later in that same settlement, where the midwife’s journals are kept and she is venerated as a sacred figure. But confusingly, the story is not solely drawn from her journals; with no explanation, an omniscient narrator occasionally jumps in to reveal information that neither the midwife nor the future residents of the town could possibly know. While knowing the fates of the characters who pass out of the midwife’s life provides closure, it also undercuts the integrity of the story. The somewhat abrupt ending also feels somewhat unsatisfying; after a leisurely (if disturbing) account of the days and months of the midwife’s travels, the author suddenly packs years of her life into the last few pages.
Well written, but does not really rise much above the rest of the teeming post-apocalyptic pack.Pub Date: June 4, 2014
ISBN: 978-1-5039-3911-0
Page Count: 300
Publisher: 47North
Review Posted Online: April 16, 2019
This gorgeous novel is a must for more than just Tolkien fanatics.
Christopher Tolkien presents the final piece in a trilogy of Middle-earth stories his father, J.R.R. Tolkien, did not live to see published.
In what he assures us is the last installment, Tolkien returns to edit his father's work (Beren and Lúthien, 2017, etc.), this time with the tale of the secret city of Gondolin. Ulmo, the great sea god, visits a wanderer named Tuor and tells him his destiny: "O Tuor of the lonely heart, I will not that thou dwell for ever in fair places of birds and flowers....Now must thou seek through the lands for the city of the folk called Gondothlim or the dwellers in stone, and the Noldoli shall escort thee thither in secret for fear of the spies of Melko." Tuor makes it to Gondolin, where he marries the king's daughter and has a son, Eärendel. Meanwhile, the evil Melko, whom Ulmo was so worried about, is scheming to find the hidden city and destroy it. When the city's location is given up in "the most infamous treachery in the history of Middle-earth," a great battle ensues, and despite Tuor's valor, Gondolin falls. The history of Middle-earth is so intricately detailed and fully imagined, readers are lucky indeed that Christopher Tolkien is such an excellent editor. With a full glossary, additional notes, a family tree, and a list of names with descriptions, it is easy to keep track of who is whose son (Lord of the Rings fans will be pleased to note that Eärendel is Elrond's father) and which races of elves and orcs and goblins are which and live where. Tolkien also takes great care to explain where each version of the story comes from and pieces together its evolution, giving much-needed context. All this makes it easy to enjoy the tale itself, which is beautifully written, with lyrical descriptions of Ulmo, Gondolin, and even the dragons and Balrogs that devastate the city. Even the battle sequences are somehow lovely. The tone here is more like a fairy tale than the main Ring cycle, which is perfectly suited to its shorter length.
This gorgeous novel is a must for more than just Tolkien fanatics.Pub Date: Aug. 30, 2018
ISBN: 978-1-328-61304-2
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Aug. 24, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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