In a sort of “queer eye for the straight sheep,” a mild-mannered shearer and his sheep-sheep show a trio of tough shearers how to get in touch with their stylish sides. Ratso, Big Bob and Bungo, and their sheepdogs Brute, Tiny and Fang, are taken aback, to say the least, when Shaun shows up with fedora-clad Pete, a sheep-herding sheep, whose polite way with his flock represents a radical and unwelcome new way of doing things. Ostracized from shearer society, Shaun practices his craft on Pete, whose new do draws all the other sheep to him, prompting him to open a salon. Soon, Brute, Tiny and Fang are sporting Shaun’s handiwork as well, and finally Ratso, Big Bob and Bungo all join in. As in the pair’s Diary of a Wombat (2003), the understated text gives the whimsical watercolor-and-pencil illustrations plenty of room to explore the inherent wackiness of the concept, as the gentle Shaun finds the right look for everyone, sheep, dog and shearer alike. It’s a sweetly fleecy tale of outsider-makes-good, the genially inevitable ending entirely satisfying. (Picture book. 5-8)
Pub Date: Oct. 17, 2005
ISBN: 0-618-56862-X
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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