An imaginative journey through grief, love, and the promise of adventures yet to come.
Giselle and her Papi are still adjusting to life without Mami.
They once dreamed of all the adventures they would have together. But now, Papi’s smile no longer reaches his eyes, and Giselle wishes she could lift his spirits. She remembers all the things they’d promised to do “one day” and finds inspiration in a quote from Mami: “Why can’t one day be today?” Giselle sets out to make their dreams a reality. Through the power of imagination, Giselle and Papi embark on fantastical journeys to a sandy beach, a sparkling waterfall, a “city run by animals,” a magical wardrobe, and more—all without ever leaving home. As they play, Papi begins to brighten, and together they create a scrapbook filled with photos and mementos to remember Mami. Richly detailed, color-saturated illustrations bring Giselle and Papi’s explorations to life. The narrative is vague about the reason for Mami’s absence, allowing a wide variety of readers to see themselves in this tale. The heartfelt story beautifully captures the healing power of play and the bond between father and daughter as they navigate loss together. Giselle and Papi have light brown skin and brown hair and occasionally sprinkle Spanish words and phrases into their conversations.
An imaginative journey through grief, love, and the promise of adventures yet to come. (notes from author and Make Me a World founder Christopher Myers) (Picture book. 5-8)Pub Date: May 13, 2025
ISBN: 9780593805640
Page Count: 32
Publisher: Make Me a World
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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