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TWEETS FROM THE TRENCHES

LITTLE TRUE STORIES OF LIFE & DEATH ON THE WESTERN FRONT

A harrowing, compelling, and moving scrapbook of primary sources and reflections.

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This debut compilation combines American-Canadian journalist and poet Carmichael’s poems with historical photographs, documents, diaries, letters, and stories related to the First World War.

The author writes that she took her inspiration for this book from the “trench letters” written by her World War I veteran grandfather, George “Black Jack” Vowel. She’d turned them into posts on Facebook and Twitter and then broadened the project, traveling in 2016 and 2017 to the former Western Front and collecting a wide variety of letters, memoirs, journals, and other firsthand accounts of the war. The result is this self-described “flash documentary creative non-fiction” book, which includes Carmichael’s poetry and a few songs. Arranged chronologically and amply illustrated with photographs, sketches, and documents, the work offers the personal experiences of a wide range of people. The viewpoints of Canadian soldiers dominate the text, but Carmichael importantly offers a much more diverse assemblage of wartime participants than most other histories do. For example, she highlights the important contributions of First Nations fighters, such as Lt. Albert Mountain Horse or Alexander Wuttunee DeCoteau, and of women, whether they were nurses or those who disguised themselves as men, such as Serbian Milunka Savic, “the most decorated female fighter in the history of warfare, period.” The horrors of trench warfare come through clearly, as do the courage and wit of soldiers trying to survive; the book also covers the grief of loss and the ravages of PTSD, formerly called “shell shock.” Carmichael’s poems, mostly free-verse lines with pauses indicated by virgules, include snippets from “Black Jack” in italics, which provide poignant commentary: “Must try to remember why I am here / I am done / I am played out / I look like a loose button on an overcoat.” But although the verses include powerful moments, they’re occasionally too obvious, as in a reflection on “The ‘Great War for Civilisation’ ”: “How could something that lays waste an entire generation…ever be great?”

A harrowing, compelling, and moving scrapbook of primary sources and reflections.

Pub Date: Aug. 12, 2018

ISBN: 978-1-71802-146-4

Page Count: 168

Publisher: Time Tunnel Media

Review Posted Online: March 19, 2019

Kirkus Reviews Issue: April 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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