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FIRE FIGHT

From the PathFinders series

Despite the compelling premise, this latest book from Guest falls short of its potential.

Kai Hunter will not go to foster care. When her grandmother dies and leaves her all alone, she runs away from the Stoney Reserve near Calgary, Alberta, to make a new life for herself.

The brevity of this book hurts it. Part Navajo, part Stoney Nakoda, all attitude, Kai sheds her old life so quickly, even leaving on her vintage motorcycle before her grandmother’s funeral, that readers have little time to get to know her. When Kai reaches Banff, Alberta, her problems are conveniently solved without any effort on her part. After “scoring a job in the first fifteen minutes of arriving in town,” Kai then falls in love. Other than a lingering fear of being caught by the police and Stoney Nakoda Social Services, and an occasional thought to her dead grandmother, Kai enjoys life under her assumed name without any plans to secure her future. When not working, 16-year-old Kai learns about putting out forest fires with her boss’s husband and goes to raucous parties with her boyfriend. Such topics as drug use, sexual assault, and bigotry are mentioned but never developed with the sensitivity they deserve. So many implausible circumstances coalesce to lead to the titular firefight that the book’s climax is unimpressive. The book is for an audience of reluctant readers, accordingly sacrificing depth for pace, but as Mette Bach’s Femme and Brent R. Sherrard’s Fighting Back (both 2015) demonstrate, characterization and nuance can be accomplished successfully within the format.

Despite the compelling premise, this latest book from Guest falls short of its potential. (Fiction. 14-18)

Pub Date: Sept. 1, 2015

ISBN: 978-1-939053-11-4

Page Count: 128

Publisher: 7th Generation

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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