Flippant, post-Calvino novel about, or not about, a near- pornographic heroine named Hortense, by French mathematics professor Roubaud (The Great Fire of London, 1991). In the first chapter, with many asides, Roubaud lingers over Hortense as she takes a bath and then dresses to go shopping, at which point Roubaud announces, ``Warning: each detail of this chapter must be observed with the strictest attention, for each is important in its own way and will not be brought up again.'' This kind of thing was more interesting in Calvino, who loved to lull the reader into madness but always had a serious theme in mind; Roubaud just wants to play. Lovely Hortense is affianced to Prince Gormanskoi of Poldevia, but she's trapped in a foreign land, or rather in several different levels of reality, all fabricated by the interfering author, whose publisher tries to intervene with hopes of getting the story underway. What is the story? Something about Hortense getting together with the stupid prince, and about an evil twin of the prince who keeps recycling old melodramas to keep them apart. Then there's a fraudulent Hortense, and some dreadful espionage against some kingdom or other. And what about those pornographic snapshots of Hortense that may or may not have blackmail potential? It's The Mouse That Roared by way of Derrida. Or it's male fantasy disguised as clever intellectual repartee. It's often amusing, and it's often just plain silly.
Pub Date: July 24, 1992
ISBN: 1-56478-001-5
Page Count: 211
Publisher: Dalkey Archive
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.
Pub Date: April 17, 1993
ISBN: 0-393-03490-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.
Well-oiled Picoult sets her latest expertly devised search-and-rescue tale in rural New Hampshire, where a kidnapping case is uncovered 28 years too late.
As usual, Picoult (My Sister’s Keeper, 2004, etc.) spins a terrifically suspenseful tale by developing just the right human-interest elements to make a workable story. Single mom Delia Hopkins works with the local Wexton police and a bloodhound named Greta to find lost children. Delia’s close relationship with her divorced, 60-ish father, Andrew, who runs a senior-citizens’ home, grows strained when he’s suddenly arrested on kidnapping charges. The victim is Delia herself, named Bethany Matthews before her father fled with her from a drunken Mexican mother in Arizona. For 28 of her 32 years, Delia has believed her mother was dead. With Andrew extradited to Phoenix, the strange history of the case unravels, complicated by the choice of Delia’s fiancé, Eric (father of daughter Sophie), as Andrew’s lawyer and the assignment of her childhood buddy Fitz to cover the case for his newspaper. Picoult is a thorough, perceptive writer who deliberately presents alternating viewpoints, so that the truth seems constantly to be shifting. When Delia finally meets the attractive, remarried Elise Vasquez, she can’t quite vilify a woman who has been sober for many years and works as a curandera (healer). Her father’s story is both suspect and understandable, especially in light of his horrific treatment in prison, caught up in the violence of rival gangs. The magnetic Eric is a recovering alcoholic who falls off the wagon when stressed, while dependable, silent lover Fitz waits in the wings for his chance. Meanwhile, Delia and Sophie make a fascinating digression into the mythical world of the local Hopi tribe. At times, Picoult goes over the top, allowing Sophie to get lost so that Greta can find her and, at the eleventh hour, inserting into the trial the possibility of Delia’s sexual abuse .
An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.Pub Date: March 1, 2005
ISBN: 0-7434-5454-5
Page Count: 448
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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