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THERE GOES THE NEIGHBORHOOD

Plain terrific.

Three friends concoct an elaborate ruse to spare their beloved neighborhood from the crushing effects of gentrification in Adia’s politically charged debut.

Change is creeping across Rhea, Malachi, and Zeke’s South Los Angeles community. Mom-and-pop shops are closing their doors, rising rents and evictions are pushing people out of their homes, and a growing influx of overpriced, mostly White-owned businesses are altering the landscape. When Zeke’s apartment building becomes the latest battleground, thanks to a planned 60% rent increase, the tightknit group of 15-year-olds decides to act by playing into White fears of Black and Latine folks like them. The plan: whip up rumors of a fake gang named SOSI taking over the block to scare away any would-be gentrifiers. Soon enough, the trio’s efforts to promote the gang through social media pay off. Then the death of Zeke’s landlord is pinned on SOSI, and the fabricated scheme has serious unintended consequences. Meanwhile, a couple of new kids—Marley and Lou—move into the bougie side of the neighborhood, ingratiating themselves into the friends’ lives and threatening to alter their tightknit relationships. Equally strong in its magnetic messiness and potent candor, the novel plunges into discussions of youth activism, capitalism-fueled displacement, and racism’s myriad forms with fierce vision and conviction. A robust cast of characters diverse across various dimensions gives voice to contemporary perspectives on community-oriented social justice and performative wokeness. Though it loses steam near the end, this one’s a much-needed read.

Plain terrific. (Fiction. 13-18)

Pub Date: March 7, 2023

ISBN: 978-1-368-08432-1

Page Count: 432

Publisher: Disney-Hyperion

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HAZELTHORN

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.

A family’s secrets rise to the surface as a young man investigates a suspected murder.

Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)

Pub Date: Oct. 28, 2025

ISBN: 9781250376299

Page Count: 368

Publisher: Feiwel & Friends

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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