Beautiful, thought-provoking work about the costs of wanting children.
Lush, immersive stories set in India and America about people trying to make families.
Children—the fierce desire for them, the heartbreak of miscarriage, and the matter of caring for them—knit this collection together. In the title story, Nikhil fantasizes about raising a child with his lover, Sharma, but such a thing is still impossible in 1980s India: “The country is changing,” Nikhil says. “A child diapered by two men,” Sharma replies. “Your country is changing faster than my country is changing.” In “The Import,” Raj and his wife, Bethany, bring a young woman from India to New York to care for their 3-year-old and help them restore their “domestic bliss” only to learn that the woman has left behind her own 5-year-old daughter. In “Lilavati’s Fire,” Aparna tries to fill the void created by her son’s departure into adulthood and her somewhat strained relationship with her husband by building a plane in her garage. This is one of the collection’s standouts, offering an emotionally stirring exploration of the counterforces of intimacy and routine, being grounded and taking flight. Elsewhere, adoption is the means through which people try to make families, and here Chakrabarti mounts a searing critique of its sometimes-exploitative nature. That’s the scenario in “Daisy Lane” when an American couple comes to northern India to pick up their baby. When they learn that the baby might have an older sister, they think they’re being tricked into taking two children. While such people probably exist, as fictional characters they’re a bit too shallow and unlikable, and the story falls short. But Chakrabarti teases out the devastating consequences of how economic inequity drives adoption in “The Fortunes of Others,” a story about lost and found families told from the perspective of an Afghan refugee living in India. This one will make you cry.
Beautiful, thought-provoking work about the costs of wanting children.Pub Date: Feb. 21, 2023
ISBN: 9780525658948
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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