Stories that serve as unvarnished, even fond, testaments to a tough, queer life.
The pudgy, queer kid at the heart of these stories must navigate the harsh but loving community of migrant farm workers in rural California in the mid-1970s.
“I get picked on all the time for being fat, cuz I can’t throw a ball, for speaking English all wrong," Gordo confesses in “Fandango,” in which he confronts the rare phenomenon of an apparent gringo coming to work at the garlic fields. It’s an indication of how baffling Gordo finds the adult world that he doesn’t understand that someone with red hair can be a Mexican named Juan Diego. The redhead encourages young Gordo to down some tequila at a boisterous Saturday night fandango that Gordo would prefer to observe, sitting on an upturned bucket just outside the circle of men who are drinking and listening to a Vicente Fernández record. “It tasted awful, but now everybody likes me,” Gordo says. “For once, all the guys like me!” That party ends in two brothers having a violent brawl, one of them rushed to the emergency room by some of the other men even though they’re furious at the brothers for fighting so intensely. Gordo has grown up in “Raymundo the Fag,” by now the most talented hairstylist in Watsonville, such a star that Olga, his colleague, urges him to move to San Francisco or even just Salinas, which is at least a bigger town than Watsonville. “Half the culeros in this town have harassed or beat me, when they weren’t trying to get into my pants,” Ray tells her. “But I’m still here and taking their money to make their wives and girlfriends look foxy. That’s home, Olga. I’m not going nowhere.” Raygay, as he was known by his bullies when young, is asked to make one of his middle school tormentors look good in death; one side of Shy Boy’s head is punctured by a bullet and only Ray can make the wig look stunning. These stories are elemental and unfussy, their emotional hearts affecting and memorable.
Stories that serve as unvarnished, even fond, testaments to a tough, queer life.Pub Date: Aug. 17, 2021
ISBN: 978-0-8021-5808-6
Page Count: 208
Publisher: Black Cat/Grove
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Readers who limit themselves to one story a night are in for a lot of sleepless nights.
Ardai celebrates the 20th anniversary of his publishing imprint, Hard Case Crime, by reprinting 20 of his own noir tales from 1990 to 2023.
Any collection this big is bound to be a mixed bag, but even the lesser stories here illuminate the formulas they depart from. “The Investigation of Things,” in which two Chinese brothers compete to solve the murder of a Buddhist monk, shows that Ardai’s gifts aren’t best suited to whodunits. The cancellation of a boy’s promised trip to see the circus in “The Day After Tomorrow” pushes Ardai’s ability to plot a short-short story to the limit. And “Nobody Wins,” which chronicles the gratuitously calamitous effects of a private eye’s search for his missing fiancee, has a title that would have been perfect for this whole volume. Ardai’s best stories walk a tightrope between noir fatalism and surprising invention. Some of them boast unsettlingly original premises. A fed pursues a doomed relationship with the grieving mother of a boy he arrested and got killed in “The Home Front”; “Game Over” follows a roll of quarters intended as a birthday gift; “My Husband’s Wife” showcases the coolly amoral voice of a conference attendee’s wife as she commits an escalating series of infractions. Other stories present endings bound to startle the most hard-bitten fans. “The Case” follows the adventures of a suitcase bomb that hasn’t (yet) exploded; a bodyguard’s search for a lubricious charge who’s disappeared from under his nose leads to a bloodbath in “Jonas and the Frail”; the man who hires a trio of contract killers in “Masks” turns out to have a shocking motive; and the ending of “A Free Man,” neatly balancing disillusionment and sentiment, provides a fitting close to the volume.
Readers who limit themselves to one story a night are in for a lot of sleepless nights.Pub Date: March 12, 2024
ISBN: 9781803366265
Page Count: 400
Publisher: Hard Case Crime
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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