Unable to resist testing his mother’s admonition not to taunt the goose, one little kitten embarks on his disobedient quest, but first he must find out which of the barnyard animals actually is the goose. His first trial finds him surrounded by hens and their chicks. He attempts to test his mother’s instructions, calling out “Boo, goose!” but the chickens laugh at him: “Cluck, cluck, cluck. Silly kitten. We’re not geese, we’re hens.” Many more cases of mistaken identity follow as the kitten travels around the farm. He meets the donkey and some ducks, has a brief encounter with the dog, and finally, when he is just about to give up, he meets up with the goose. Thrilled at his success, he calls out “Boo!” The little kitten soon finds out that he should have listened to his mother’s instructions as one very large, very angry goose chases him. Snuggled back with his mother, he claims that he will never attempt to taunt the goose again, but the look in his button eyes suggest that this kitten may still have some mischief in him. Stitched fabric collages illustrate this simple tale and the production gives them an almost three-dimensional quality. Buttons function as eyes and seed beads add bubbles to the water in the pond, making this a visually pleasing as well as useful exploration of farm animals and the sounds that they make. A honking good time. (Picture book. 2-5)
Pub Date: Sept. 1, 2002
ISBN: 1-84148-255-2
Page Count: 24
Publisher: Barefoot Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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