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FOR SHAME

THE LOSS OF COMMON DECENCY IN AMERICAN CULTURE

``I prefer polemic to precision,'' notes Twitchell (Adcult USA, 1996). This bigoted and shameless tirade proves him correct. Twitchell's title cuts two ways: ``for shame'' implies ``for the promotion of shaming,'' as well as his disapproval of the rise of ``shameless'' behavior since the 1960s, which he views as the crucial turning point in American attitudes toward shame. While he begins by cautioning that he is not a proponent of the life-ruining variety of shame, clearly he intends to cause just such shame, as his polemic quickly descends into uninformed sallies against everything he finds personally offensive. Unfortunately, his Christian chauvinism serves as the primary basis for his judgment, exiling him to a variety of untenable positions. For instance, Twitchell states that Roman Catholicism, with its strict codes governing sexuality, is ``one of the longest-lasting and most stabilizing religions.'' But in fact, with the exception of Islam, Christianity is the youngest of the major world religions—and if the Crusades or present-day Northern Ireland are any indication, the faith is not particularly stabilizing. To claim, as Twitchell does, that sexual codes ``separated Christianity from its earlier competitors'' is just plain wrong; equally strong codes can be found in Judaism. Beyond such matters of history and orthodoxy, the author often displays a failure to grasp simple cause and effect. He attacks the rise in illegitimate births, arguing that the Church's previous dogmas had protected against such lapses, yet he fails to address the Church's present stance against birth control. Ultimately, Twitchell betrays himself as the academy elitist that he is, aligning himself with Allan Bloom and Charles Murray. He even has the nerve to attack the tenure system in universities as one of the causes of shamelessness. Will he surrender his own tenure to prove his point? Shame on Twitchell for this diatribe disguised as cultural critique.

Pub Date: Nov. 13, 1997

ISBN: 0-312-15543-3

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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