A scintillating foray into “what makes something collectible, valuable, and enduring.”
The biography of a very special stamp.
The “Mona Lisa of stamps” was born—or printed—in British Guiana in 1856. As a mere, “provisional” one-cent stamp used to send out several hundred periodicals before the real stamps arrived by ship, its birth was unheralded. It was, as New York Times reporter Barron (Piano: The Making of a Steinway Concert Grand, 2006) notes, “overlooked and forgotten.” The author first heard about the unique stamp at a party, and when he was told how much it might soon fetch at auction as part of the John E. DuPont estate, he had to know more. Barron turns this seemingly insignificant story into a thoroughly entertaining tale of speculation and investigation into “Stamp World, an arcane parallel universe peopled by collectors who are crazed and crazy, obsessed and obsessive.” The first stop in the journey is 1873, when a 12-year-old boy found the stamp in his uncle’s house and sold it to a novice collector for six shillings, the equivalent of “$16.83 in today’s dollars.” The stamp was soon sold to another collector, who then sold it to an eccentric Paris aristocrat and collector. When his entire collection was auctioned off in the early 1920s, the stamp was cataloged as “the only known example.” Then, it was purchased by an anonymous, wealthy buyer, Arthur Hind, from Utica, New York for $32,500. Barron recounts the perhaps apocryphal story that Hind was approached by a man who claimed that he also had a one-center. According to the tale, Hind bought it and then burned it up with his cigar, saying, mischievously, “there’s only one magenta one-cent Guiana.” The author whimsically follows the stamp’s long journey right up to where his story began: the record-breaking auction.
A scintillating foray into “what makes something collectible, valuable, and enduring.”Pub Date: March 7, 2017
ISBN: 978-1-61620-518-8
Page Count: 288
Publisher: Algonquin
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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