A thrilling peek into a portal of history, dramatic and moving.
In Bastian’s historical novel, an orphaned boy flees war-torn Germany and finds work at a Wisconsin logging camp.
After Will Heinlein’s father dies fighting in WWI, his mother decides they have no future in Germany, and she sets her sights on the United States, where they have family. She dies in transit, however, and so Will arrives in New York in 1920 alone, unable to contact his uncle in Chicago. Fortunately, he meets Deiter Pzybylski, another lonesome traveler, a refugee from Poland who fought in the resistance against Russian occupation. Deiter takes Will under his wing with a casualness that belies the profound depth of his kindness, movingly depicted by author Bastian: “Hey, why not come with me? I’ve always wanted a little brother.” They travel to the frigid Wisconsin wilderness, where Deiter’s brother, Michael, waits for them. Will lands a job as a Chickadee, clearing icy, “serpentine trails” of impediments, including frozen “horse apples,” or turds, with a screwdriver. Once there, Will longs to graduate to the position of logger but has to contend with the perils of the work and environment, including Nyka, a dangerously violent logger. Bastian scrupulously researched historical records to create an impressively authentic portrait of the era. The pace of the plot is unrushed but never lags—Bastian draws the reader too deeply into Will’s cosmos for boredom to ever surface, and one can’t help but root for the protagonist. His prose, straightforward and unembellished but all the more powerful for its reserve, sets an affecting scene: “The more snow Nyka kicked away the clearer it became that it was a small body. I gasped when I realized I was staring into the hollow eye socket of a skull. The top of the skull was covered by a red knit hat.”
A thrilling peek into a portal of history, dramatic and moving.Pub Date: Dec. 15, 2015
ISBN: 978-1-934553-54-1
Page Count: 178
Publisher: Bower House
Review Posted Online: Nov. 5, 2020
Review Program: Kirkus Indie
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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