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A STREET CAT NAMED BOB

AND HOW HE SAVED MY LIFE

A rich, moving story of the link between a street-wise cat and a man who earns his living on the streets—perfect for cat...

How a cat helped one man on the road to recovery from drugs.

"I was a failed musician and recovering drug addict living a hand-to-mouth existence in sheltered accommodation,” writes London street musician Bowen. “Taking responsibility for myself was hard enough.” So when a mangy, unneutered tomcat with a festering sore on his leg hung around his apartment building several days in a row, it was with some trepidation that the author invited the cat, whom he named Bob, into his home. Little did Bowen know that this simple act of kindness would create such a bond between them. Earning his living as a street musician in London's Covent Garden, Bowen had to busk on a daily basis to survive. The added responsibility of an injured cat prompted the author to play more frequently and for longer hours; it was only when Bob came with him to Covent Garden that Bowen realized their relationship had deepened into a true friendship. The oddity of seeing a handsome ginger cat curled into a guitar case caused people to stop and chat, take pictures and give more generously than they had in the past. Bowen moved from being a street bum to someone people recognized and wanted to talk to, and Bob was given all sorts of handmade clothes, treats and toys. The author describes delightful moments spent with Bob as well as a harrowing instance when the cat streaked off into the city streets after being threatened by a dog. With confidence gained through his ability to earn money and to tend to Bob's needs, Bowen was finally able to kick his drug dependency and make amends with his estranged mother.

A rich, moving story of the link between a street-wise cat and a man who earns his living on the streets—perfect for cat lovers.

Pub Date: July 30, 2013

ISBN: 978-1-250-02946-1

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: June 9, 2013

Kirkus Reviews Issue: June 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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