Why would Bruce Willis snap this up for a million dollars? Because it feels safely familiar, with a wild hook added by Huggins, author of three action thrillers (Leviathan, etc., not reviewed) for the Christian market. Army scientist Dr. Maggie Milton (Milton, as in Paradise Lost) has created a Frankenstein supersoldier. She's taken the body of a dead soldier, named Cain, who had highly unusual genes (XYY), altered them, rebuilt him with titanium armor, and primed him with all manner of super devices, including nearly instant self-healing flesh in case of wounds, and fangs for chewing up enemy bodies to replenish his lowered RNA. Unfortunately, to do all of this she's had to inject him with a mutated strain of Marburg virus, the deadliest virus known, which, if released, could wipe out all life on Earth within weeks. What the Army doesn't know is that Satan has in fact entered their supersoldier, endowing him with a galactic hunger for evil and apocalyptic plans of his own—and suddenly he's on the loose, with his super speed and his ability to rip through steel like paper! Who can stop him? Well, polymathic Marine Colonel James L. Soloman might be able to. Retired since the death of his wife and daughter (for which he blames himself), he's kept himself in almost superhuman Spartan condition at his home in Death Valley. Soloman, recruited to cancel out Cain quietly, tries a variety of lethal gambits to stop him, but none of them work. Cain, it turns out, is actually seeking Maggie's daughter Amy, intending to make a human sacrifice of her before unleashing the Marburg virus on mankind. Eventually, Soloman, whose plans go awry, loses the help of the intelligence forces. Cain/Satan survives all the ordnance used against him, rants in biblical fustian, and prepares Amy for his great black mass as time runs out for the human race. Staggering, galactically gruesome comic-strip, a natural for bouncing Bruce.
Pub Date: July 7, 1997
ISBN: 0-684-83403-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
BOOK REVIEW
A lovely, painful book: Walker's finest work yet.
Walker (In Love and Trouble, Meridian) has set herself the task of an epistolary novel—and she scores strongly with it.
The time is in the Thirties; a young, black, Southern woman named Celie is the primary correspondent (God being her usual addressee); and the life described in her letters is one of almost impossible grimness. While young, Celie is raped by a stepfather. (Even worse, she believes him to be her real father.) She's made to bear two children that are then taken away from her. She's married off without her consent to an older man, Albert, who'd rather have Celie's sister Nettie—and, by sacrificing her body to Albert without love or feeling, Celie saves her sister, making it possible for her to escape: soon Nettle goes to Africa to work as a Christian missionary. Eventually, then, halfway through the book, as Celie's sub-literate dialect letters to God continue to mount (eventually achieving the naturalness and intensity of music, equal in beauty to Eudora Welty's early dialect stories), letters from Nettie in Africa begin to arrive. But Celie doesn't see them—because Albert holds them back from her. And it's only when Celie finds an unlikely redeemer—Albert's blues-singer lover Shug Avery—that her isolation ends: Shug takes Celie under her wing, becomes Celie's lover as well as Albert's; Shug's strength and expansiveness and wisdom finally free up Nettie's letters—thus granting poor Celie a tangible life in the now (Shug's love, encouragement) as well as a family life, a past (Nettie's letters). Walker fashions this book beautifully—with each of Celie's letters slowly adding to her independence (the implicit feminism won't surprise Walker's readers), with each letter deepening the rich, almost folk-tale-ish sense of story here. And, like an inverted pyramid, the novel thus builds itself up broadeningly while balanced on the frailest imaginable single point: the indestructibility—and battered-ness—of love.
A lovely, painful book: Walker's finest work yet.Pub Date: June 28, 1982
ISBN: 0151191549
Page Count: 316
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: June 1, 1982
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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