by James D. Walsh ‧ RELEASE DATE: Feb. 16, 2016
Walsh knows he’s operating in “a gray area of journalistic ethics,” and readers can decide whether he emerges on the right...
A journalist navigates ethically tricky terrain as he helps attempt to organize union representation in Miami casinos.
In his first book, New York magazine staffer Walsh undertakes a major challenge: to work as what the labor movement calls “ ‘salts,’ union activists who got jobs in non-union workplaces, intent on organizing them from the inside.” There is nothing illegal about salting, though employers resistant to unions are adamantly opposed to such activity and might terminate the employment of someone engaging in it, particularly during a probationary period when it would be easy to invent some other excuse. So the author necessarily kept his recruitment a secret from those who hired him, as he surreptitiously attempted to find other workers who might be suitable for union leadership at the casino. However, he also kept his intention to write about his experience a secret from the union activists who had recruited him and who subsequently tried to prevent him from writing about such union organizing from the inside out. “So you were salting the salts?” asked his activist supervisor, who felt betrayed—though Walsh’s sympathy throughout this narrative is with the unions that face such a difficult challenge recruiting the diverse population of minimum-wage service workers, many of them immigrants. Some of them agreed to enlist in the union effort, and some of them lost their jobs because of it, as the author did, though the risk and cost to him were a whole lot less than to those with bigger obligations and fewer options. The legal system would ultimately rule in favor of “The Mardi Gras Ten,” with some—though not Walsh—given their jobs back with back pay. The author does an engagingly readable job of humanizing the labor battle, showing just how much power the corporations wield and how long they can wait.
Walsh knows he’s operating in “a gray area of journalistic ethics,” and readers can decide whether he emerges on the right side.Pub Date: Feb. 16, 2016
ISBN: 978-1-4767-7834-1
Page Count: 288
Publisher: Scribner
Review Posted Online: Dec. 20, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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