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THE SCIENCE OF SCIENCE-FICTION WRITING

A valuable tool for aspiring SF authors, and a treat for fans with an appreciation for literary history and theory.

This pragmatic overview covers virtually every important aspect of writing science fiction. Himself a prolific genre author (The Immortals, not reviewed, etc.), as well as an academic (English/Univ. of Kansas) and literary critic (The Road to Science Fiction, not reviewed), Gunn remains at the forefront of the movement to legitimize scholarly study of science fiction. The first third of his text, drawing on Gunn’s years of experience teaching writing workshops, conveys his influential precepts in 11 short, useful chapters. The second section lays out his theory of science fiction as a genre. The volume concludes with concise critical biographies of H. G. Wells, Robert Heinlein, Isaac Asimov, and husband-wife duo Kuttner and Moore. The variety of these three sections broadens the book’s appeal beyond the science-fiction community. The material’s specificity, though, still limits its usefulness for the general reader; the natural audience includes writers aiming for publication and hard-core science-fiction fans. Nevertheless, since Gunn’s excellent prose never fails to engage, inform, and instruct, readers outside the target audience who happen to encounter the book will be pleasantly surprised.

A valuable tool for aspiring SF authors, and a treat for fans with an appreciation for literary history and theory.

Pub Date: Nov. 1, 2000

ISBN: 1-5788-6011-3

Page Count: 240

Publisher: Rowman & Littlefield

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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