Prolific horror writer Herbert (Portent, 1996, etc.) revives a sentimental favorite, Victor Hugo’s Quasimodo, dresses him up in a modern setting, and sends him forth as Nicholas Dismas, private investigator. Dismas was so malformed at birth—hunchback, spinal curvature, twisted and withered right leg, birdboned chest, a forehead overlapping his eyes, overlarge ears, flat nose, backhair that formed a tail between his buttocks, and so on—that his mother left the newborn monster by the trash bins behind a nun’s convent in a poorer part of London. A prologue set in Hell reveals that Dismas is actually a damned soul, a once irresistibly handsome movie star who is being given one last chance at redemption. This time around, he must live in an exemplary fashion completely at odds with his former evil ways—which he will not be allowed to remember. Thus, Nick Dismas struggles daily with God: why has he been born such a hideous monster to suffer an entire lifetime of humiliation, vilification, and punishment? (The reader knows: every card is stacked against Dismas’s atonement.) Now, he’s hired by widow Shelly Ripstone to find the bastard she bore before she married. Shelly never saw her baby, having been told by the hospital that it died almost at birth. But Louise Broomfield, a clairvoyant, has confirmed Shelly’s intuition that the child lives. Will Dismas find it for her? As birds and whisperings invade Dismas’s mind, Herbert leads his hero into ever more shocking traps while dropping in spells of garden silences under vast clear-blue skies. All clues lead to the Perfect Rest nursing home, whose care-supervisor has the same malformed body as Dismas but an inner beauty that rings bells: her name, Constance Bell (—The bells, the bells!) Midway, the gore gathers and the plot veers into The Island of Doctor Moreau territory. Even so, Nick Dismas remains one of the most tenderly drawn monsters since Hugo’s bell-ringer. ($75,000 ad/promo)
Pub Date: Oct. 1, 1999
ISBN: 0-312-87293-3
Page Count: 512
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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