Herbert's 18th horror novel works toward another of his familiar apocalyptic climaxes (The Ghosts of Sleath, 1995, etc.) but features perhaps his finest writing. British climatologist James Rivers flies into the blissfully calm eye of a huge hurricane over the Gulf of Mexico and sees a strange ball of light hanging outside his plane just before he crashes. Recovering back home, Rivers is invited by the eccentric Hugo Poggs to his country estate, where Poggs shares the results of his research into the vast natural disturbances suddenly sweeping the world. Is Mother Earth shrugging man off the planet because of what he's done to her? Rivers falls in with Hugo's widowed daughter-in-law Diane, who has adopted Romanian gypsy twins, Eva and Josh—children who are seemingly telepathic, given to visions and to alarming messages about the near future. Earth tremors shake London, tidal waves wipe out Grenada and Oahu, huge forest fires spring up in Brazil, Australia's Great Barrier Reef is destroyed, cyclones sweep the Great Plains, undersea volcanoes erupt, the San Andreas Fault splits, all heralded by portentous balls of light. Rivers, a troubled skeptic, keeps stumbling across evidence indicating that these lights are neither accidental nor mere by- products of natural phenomena. When the twins tell him that he is part of the Dream Man, a benign figure in their visions, Diane, Rivers, and the twins set off to Scotland's lochs in search of another such Dream Man. Through him, Rivers finds that these horrors portending the Last Days actually express man's inner nature writ large upon Earth, the Great Mother. To survive, man must change. This may be Herbert's best novel, its prose keen, characters crisp, and pace terrific, though the world-shattering end is disappointly unsurprising and generic.
Pub Date: July 1, 1996
ISBN: 0-06-105211-6
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.
A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.
From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.Pub Date: May 5, 2009
ISBN: 978-0-451-22681-5
Page Count: 368
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
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