Instead, it is simply a compassionate but slight portrait of a likable young person whose unique, impassioned spirit is...
Trevor, after which LGBT helpline the Trevor Project is named, began its life as a theater piece, was sold as a short film in 1997, and here is adapted to a contemporary setting in novella form.
Thirteen-year-old Trevor narrates in a voice that is initially exuberant. He wants more attention from his parents and seeks it by theatrically pretending to be dead. He loves Lady Gaga and is surprised when his best friend Zac derisively suggests he shelve his Gaga Halloween costume in favor of something “less gay.” Zac ultimately shuns Trevor and so does the new friend Trevor finds after Zac. Finally, after a bullying incident at school, Trevor attempts suicide (leaving a suicide note that requests that "Born This Way" be played at his funeral). Trevor's voice is engaging, but the novella is short enough that both the change in his character and the resolution happen jarringly quickly. The slightness of the novella is reinforced by pencil drawings that add warmth but give the impression of having been quickly sketched. Teen fiction about gay boys in middle-class, suburban homes struggling with their sexuality is common enough now that this volume is no longer groundbreaking.
Instead, it is simply a compassionate but slight portrait of a likable young person whose unique, impassioned spirit is dampened by bullying and homophobia. (Fiction. 12 & up)Pub Date: Aug. 14, 2012
ISBN: 978-1-60980-420-6
Page Count: 96
Publisher: Seven Stories
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
Whether you came for the lore or the love, perfection.
Broken people, complicated families, magic, and Faerie politics: Black’s back.
After the tumultuous ending to the last volume (marriage, exile, and the seeming collapse of all her plots), Jude finds herself in the human world, which lacks appeal despite a childhood spent longing to go back. The price of her upbringing becomes clear: A human raised in the multihued, multiformed, always capricious Faerie High Court by the man who killed her parents, trained for intrigue and combat, recruited to a spy organization, and ultimately the power behind the coup and the latest High King, Jude no longer understands how to exist happily in a world that isn’t full of magic and danger. A plea from her estranged twin sends her secretly back to Faerie, where things immediately come to a boil with Cardan (king, nemesis, love interest) and all the many political strands Jude has tugged on for the past two volumes. New readers will need to go back to The Cruel Prince (2018) to follow the complexities—political and personal side plots abound—but the legions of established fans will love every minute of this lushly described, tightly plotted trilogy closer. Jude might be traumatized and emotionally unhealthy, but she’s an antihero worth cheering on. There are few physical descriptions of humans and some queer representation.
Whether you came for the lore or the love, perfection. (Fantasy. 14-adult)Pub Date: Nov. 19, 2019
ISBN: 978-0-316-31042-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
A warmly entertaining story at the nexus of teen relationships and activism.
An African American teen activist is drawn to a young man she meets accidentally.
Marva Sheridan was passionate about politics long before she was able to vote herself. It was not enough to anticipate voting for the first time, she’s also worked to make sure that others did so as well. When she witnesses Duke Crenshaw, another teen, being turned away on Election Day, she springs into action. The two spend the day together as Duke attempts to work out his registration issues and get to his drumming gig. As they get to know each other, bits of their stories are shared: Marva’s tensions with Alec, her White boyfriend who has decided not to vote, and Duke’s family, who is still trying to cope following the death of his older brother. Duke’s White mother and Black father have divorced, and both parents are extremely protective of him and his younger sister. In addition, Marva’s cat Selma, an internet star known as Eartha Kitty, has gone missing. Colbert skillfully manages both serious and playful elements throughout the novel. Marva has an infectious personality, and her politics and identity are realistically portrayed. Duke’s grief, still raw, is palpable and will engage readers’ empathy. The chapters feature alternating first-person narration, giving the novel an intimate feel. Secondary characters add rich texture to and understanding of the primary characters.
A warmly entertaining story at the nexus of teen relationships and activism. (Fiction. 12-18)Pub Date: July 7, 2020
ISBN: 978-1-368-05329-7
Page Count: 304
Publisher: Disney-Hyperion
Review Posted Online: May 1, 2020
Kirkus Reviews Issue: May 15, 2020
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