A leisurely walk through a former inferno with a most eloquent Virgil.
Celebrated Civil War historian McPherson (Fields of Fury, 2002, etc.) holds our hands, points our heads, and evokes awe-ful and sanguinary images of July 1863 in Gettysburg, Pennsylvania.
Like many other entries in the Crown Journeys series, the text is brief, lucid, and learned. McPherson (History/Princeton) begins with an allusion to Lincoln’s Gettysburg Address and ends with its full text. An unabashed champion of the site’s importance—“More than any other place in the United States,” he declares, “this battlefield is indeed hallowed ground”—the author knows this ground intimately and has conducted uncountable tours there. He educates, even inspires with fluid ease. We learn along our vicarious walk that the battlefield comprises some ten square miles, that the town was only 75 miles north of the nation’s capital and had a population of roughly 2,400 in 1863, that some 4,000 acres now comprise the park. We learn as well that the total number of American casualties there over three days (50,000 or so) is tenfold the number on D-day. McPherson devotes a chapter to each of the battle’s three days, beginning with the first shot on July 1 and ending with Lee’s escape. (The author reminds us that nearly two years of fighting remained after Gettysburg.) McPherson’s unsurpassed scholarship enables him to debunk many myths: blue and gray did not share Spangler’s Spring, he states, and there was probably not a huge supply of shoes in town to attract the footsore Confederates. Like other military historians, he is sometimes romantic, honoring rather than analyzing, and he needs to re-check the meaning of Gertrude’s line to Hamlet about a protesting lady. More often, though, he frames his sound insights in perfect sentences, writing about one prevaricating memoirist, for example, “His sword was mightier than his pen—or at least more truthful.”
A leisurely walk through a former inferno with a most eloquent Virgil.Pub Date: May 1, 2003
ISBN: 0-609-61023-6
Page Count: 144
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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