illustrated by James Marshall ‧ RELEASE DATE: Oct. 1, 1977
Marshall's first "novel" for young readers, a kookie murder mystery, is more like an extended easy reader, with no pretense to the dimension you'd associate with the label even at this level. It takes place at a summer hotel visited by disagreeable Foster Pig, complaining Don Coyote, detective Eleanor Owl and her cat assistant Mr. Paws, Miss Marietta Chicken from the circus, and a family of "cooties" who arrive in the mail in envelope number two. (Envelope number one contains a note alerting the turkey proprietor to their presence.) There's not much interaction, and the only mystery consists of strange sights and sounds that begin shortly after the arrival of four unmusical female baboons who check in as a string quartet. What are they up to? Eleanor, enlisting the cooties as spies, discovers that the baboons are seeking a treasure stolen from the Egyptian King Kluck whose tomb they guard; all that's left, then, is to pick out the perpetrator of an offstage, previously accomplished crime—and Eleanor shortly fingers the hotel's rotten cook and maid-of-all-work, a goose named Marine. To us it seems more thin than whacky; perhaps a young reader in the summer sun would reverse the judgment.
Pub Date: Oct. 1, 1977
ISBN: 0395913616
Page Count: 98
Publisher: Houghton Mifflin
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Oct. 1, 1977
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by James Marshall illustrated by Maurice Sendak
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edited by James Marshall & illustrated by James Marshall
by Wesley King ‧ RELEASE DATE: Aug. 23, 2022
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t.
Brothers, one neurodivergent, team up to shoot baskets and find a thief.
With the coach spit-bellowing at him to play better or get out, basketball tryouts are such a disaster for 11-year-old Green that he pelts out of the gym—becoming the chief suspect to everyone except his fiercely protective older brother, Cedar, when a valuable ring vanishes from the coach’s office. Used to being misunderstood, Green is less affected by the assumption of his guilt than Cedar, whose violent reactions risk his suspension. Switching narrative duties in alternating first-person chapters, the brothers join forces to search for clues to the real thief—amassing notes, eliminating possibilities (only with reluctance does Green discard Ringwraiths from his exhaustive list of possible perps), and, on the way to an ingenious denouement, discovering several schoolmates and grown-ups who, like Cedar, see Green as his own unique self, not just another “special needs” kid. In an author’s note, King writes that he based his title characters on family members, adding an element of conviction to his portrayals of Green as a smart, unathletic tween with a wry sense of humor and of Cedar’s attachment to him as founded in real affection, not just duty. Ultimately, the author finds positive qualities to accentuate in most of the rest of the cast too, ending on a tide of apologies and fence-mendings. Cedar and Green default to White.
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t. (Fiction. 9-12)Pub Date: Aug. 23, 2022
ISBN: 978-1-66590-261-8
Page Count: 272
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
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by Wesley King
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by Wesley King
by Natalie Lloyd ; illustrated by Júlia Sardà ‧ RELEASE DATE: Feb. 6, 2018
A promising, lighthearted beginning.
When the Swampy Woods home of seven siblings is utterly destroyed, the children move to House Number Seven in Lost Cove—and neighbor Desdemona O’pinion tries her hardest to malign, evict, and separate the children.
Both text and illustrations offer a nod to Roald Dahl’s quirky, juvenile heroes and equally quirky, nasty villains. The distinctive flavor comes both from Lloyd’s witty but succinct word mastery and from her unflagging imagination. Each of the titular children was born on a different day of the week, with a name and a personality or appearance that—arguably—parallels the old nursery rhyme “Monday’s child is fair of face.” Here Monday’s child is the lovely but subversive Mona. Tuesday’s child baby Toot’s “grace” is apparently his ability to communicate with highly specialized farts, while Thea—Thursday’s child—moves slowly toward self-confidence during the generally madcap adventure. The story begins with the children gratefully unscathed after their home suddenly blows up and continues with their move to town, where their combined warmth, cooperation, and ingenuity enable them to charm everyone but evil Desdemona. There are ongoing, mysterious discoveries before it concludes with a temporary reprieve on eviction—but plenty of aperture for the next adventure in the series. The family is white; secondary characters include one blind girl and another who is “allergic to air” as well as neighbors of varied ethnicities. Among other novelties, readers will meet circus spiders and revel in “heartspeak.”
A promising, lighthearted beginning. (Fantasy. 8-12)Pub Date: Feb. 6, 2018
ISBN: 978-0-06-242820-2
Page Count: 304
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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