illustrated by James Marshall ‧ RELEASE DATE: Feb. 28, 1973
Whereas in George and Martha (1972) Marshall portrayed a pair of lovably blimpy hippopotami without overt reference to their proportions, here he confronts the subjects of overweight and compulsive eating head on. Emily Pig perceives her weight gain as a problem which she resolves to attack with exercise. But when her friend Eugene Turtle suggests a walk Emily turns the outing into an occasion for consuming sandwiches, corn, scones with jam, eskimo pie, cookies, milk, pizza, all sorts of soda fountain concoctions. . . which understandably make her so sick that she has to take a taxi home. "It must have been all that walking" is Emily's explanation. Though they might recognize others here it's unlikely that small children will apply the object lesson to their own exercises in self-deception. Still Marshall carries Emily's gastronomical orgy to such preposterous lengths that even at this level it will be hard to miss the indulgent irony of his closing lines. And Eugene is a model straight man.
Pub Date: Feb. 28, 1973
ISBN: 0395147573
Page Count: 40
Publisher: Houghton Mifflin
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Feb. 1, 1973
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: June 3, 2025
Quirky, familiar fun for series devotees.
After Duncan finds his crayons gone—yet again—letters arrive, detailing their adventures in friendship.
Eleven crayons send missives from their chosen spots throughout Duncan’s home (and one from his classroom). Red enjoys the thrill of extinguishing “pretend fires” with Duncan’s toy firetruck. White, so often dismissed as invisible, finds a new calling subbing in for the missing queen on the black-and-white chessboard. “Now everyone ALWAYS SEES ME!…(Well, half the time!)” Pink’s living the dream as a pastry chef helming the Breezy Bake Oven, “baking everything from little cupcakes…to…OTHER little cupcakes!” Teal, who’s hitched a ride to school in Duncan’s backpack, meets the crayons in the boy’s desk and writes, “Guess what? I HAVE A TWIN! How come you never told me?” Duncan wants to see his crayons and “meet their new friends.” A culminating dinner party assembles the crayons and their many guests: a table tennis ball, dog biscuits, a well-loved teddy bear, and more. The premise—personified crayons, away and back again—is well-trammeled territory by now, after over a dozen books and spinoffs, and Jeffers once more delivers his signature cartooning and hand-lettering. Though the pages lack the laugh-out-loud sight gags and side-splittingly funny asides of previous outings, readers—especially fans of the crayons’ previous outings—will enjoy checking in on their pals.
Quirky, familiar fun for series devotees. (Picture book. 4-7)Pub Date: June 3, 2025
ISBN: 9780593622360
Page Count: 40
Publisher: Philomel
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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by James Yang ; illustrated by James Yang ‧ RELEASE DATE: July 23, 2019
The visual details invite interaction, making it a good choice for storytime or solo inspection.
It’s a quiet day, until….
“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.
The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)Pub Date: July 23, 2019
ISBN: 978-0-425-28881-8
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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